James McAvoy: Try Hard With a Vengeance
“I think inside all actors there’s a kid who secretly yearns to jump off buildings and say ‘Yippeekayay, motherf–ker!’”
James McAvoy explaining to Details what prompted him to take a role opposite Angelina Jolie in the violent shoot-’em-up Wanted. Frankly, as much as we like a good Die Hard reference, we would have accepted “Angelina Jolie” as an answer.
Five ways Six Feet Under helps me cope with death
This post might get a little esoteric, but I’ll just lay it out there and, as always, you can either take it or leave it. If you don’t like talk about death and dying, stop reading here.
If I was asked to say just one thing about Six Feet Under, it’s that they don’t shirk from anything. The Fisher family is complex and messy, but the writers and actors put it all out there, whether it’s gay sex, drugs, mental illness, or, of course, death.
That last one is a good thing for me, because I go to a lot of funerals. In the past few years, I’ve lost two aunts, a dad, a father-in-law, a grandma, a sister-in-law, two cousins, and at least two dozen friends. I’ve written scores of obituaries and played my violin for dozens of funerals. I’m on a first-name basis with most of the funeral directors in town. And you know what? It’s OK! Six Feet Under has helped me to see that. Read on for five ways the show helps me cope with death.
1. The show makes it “OK” to die. Six Feet Under’s tagline says it all: “Everything. Everyone. Everywhere. Ends.” As soon as we come to grips with that, it makes life easier. After all, we’ll die some day, too. Maybe sooner than we think. Since I didn’t grow up in a funeral home like the Fishers, I used to hate the idea of death. But I’ve gotten more comfortable with it in recent years. Part of this is the sheer number of funerals I attend. It’s not that I’ve gotten numb to it, but rather that I accept that everything ends.
2. You can choose not to grieve. In the second episode of season five, “Dancing For Me,” a high school buddy of Nate’s gets run over by a truck. During the funeral, Nate meets another former buddy and they get together for drinks. While talking about the death of their friend, Nate said he was tired of grieving and didn’t want to do it anymore. He just wanted to make every moment of life count. I get that. If I carried the grief of everyone I’ve lost in recent years, I’d go hide in a cave and never come out.
3. People die in lots of various ways. While most of the people I’ve lost haven’t died in such “colorful” ways as the folks on Six Feet Under, they’ve certainly run the gamut — drunk drivers, icy-road crashes, suicides, terminal illnesses, and old age. When you’ve lived in the same community for 40-some years, you get to know people. The older generation dies off. People come and go. It’s a fact of life. And if there’s one thing Six Feet Under touts, it’s that people are going to die, and there’s not one thing we can do about it. Nowhere is that more clear than the pilot episode, where Nathanial Fisher Sr. dies in a tragic car crash, sending the family into a turmoil of change.
4. It gives you a new appreciation for life. As cliché as it sounds, experiencing a lot of death has given me an appreciation for life. Of course, I grieve, but the fact that I have so many people in my life to grieve for is a blessing. Yes, I miss the people, but I’m happy to have had them in my life. It’s a beautiful thing.
5. It helps you put things in perspective. I started watching Six Feet Under during a particularly funeral-laden part of last winter, and there’s something about watching funeral directors deal with death on a daily basis that helped me put things in perspective. I guess Alan Ball felt that way, too, since he created the series after losing his sister.
So, hey, if you’re in one of those inevitable periods where you’re losing a lot of people, try watching Six Feet Under. It could be very cathartic.
First Look At Emily Blunt And Anthony Hopkins In The Wolfman
Empire got an exclusive image from The Wolfman. The image gives us our first look at Anthony Hopkins and Emily Blunt in character, as well as the first official look at Benicio Del Toro in non-wolf form.
When I went down to London I had the chance to go on set. I wasn’t invited, I was just in the right place at the right time. None of the actors were there and it was actually pretty boring…but I was still there!
The Wolfman is directed by Joe Johnston (Jurassic Park 3), and will be released in April 2009
Should viewers be told about product integration in shows?
Interesting piece over at Nikki Finke’s site. While everyone is concentrating on a possible actors strike (the deadline is Monday for SAG to make an agreement), there’s another little controversy going on. The Writers Guild of America West has asked the FCC to look into the ever-increasing habit of product integration in network shows. Not only does the WGA want to see the use of products on television eased up, which the FCC is already looking into, they also want to go one step further and make viewers fully aware that they are seeing an ad.
And how would the networks do that?
The WGA wants “real-time” disclosure, which basically means they want to see a crawl at the bottom of the screen when product placement is happening in a scene, similar to crawls for sports scores, weather, other news, and ads for other shows. They want to see this during the show because they don’t feel a disclosure at the start or end of a show would be as noticeable or as effective.
Part of me fully understands why viewers should know it’s a paid ad they’re seeing (though I would hope viewers would know that already), however, a crawl in the middle of a TV show seems like a weird idea.
What do you think of this idea? Do you already assume that it’s an ad when you see someone talking about Snapple or a cool car on a TV show? What should the networks do to tell viewers, if anything?