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Cate Blanchett Expecting Baby No. 3

Posted by Vogt
at May 31, 2008

Cate Blanchett Expecting Baby No. 3 | Cate Blanchett Cate Blanchett is pregnant with her third child, the actress confirmed Saturday night in her native Australia, reports the Sydney Morning Herald.

“Yes, I am,” Blanchett, 38, said at the Sydney premiere of her film Elizabeth: The Golden Age, according to the paper.

Informed of rumors that she is carrying a boy, Blanchett reportedly responded: “You know more than me. It’s early days yet. It’s due in April.”

The actress and her writer-director husband, Andrew Upton, already have two sons: Dashiell John, 5, and Roman Robert, 3.

As for expanding her family, Blanchett recently told W magazine that she was “not going to wait forever. … God, I’d love it to be now. I’d love it to be next week.”

More Time at Home

Whether it’s a boy or a girl, Blanchett plans to spend more time in her native Australia, where she and Upton will be co-directors of the Sydney Theatre Company – a decision partly made in the interests of her children. “He’s five now,” she said of elder son Dashiell. “He needs to be settled, and I respect that.”

A Best Supporting Actress Oscar winner in 2005 for The Aviator (in which she played screen legend Katharine Hepburn), Blanchett has been filming roles in The Curious Case of Benjamin Button, with Brad Pitt, and Indiana Jones and the Kingdom of the Crystal Skull, with Harrison Ford.

Besides Elizabeth, Blanchett’s latest film, in which she is one of several actors to play Bob Dylan, is the biopic of the singer-songwriter, I’m Not There. It premiered at film festivals last month.

Blanchett’s next role should be perfect for an expectant mom who might want to stay off her feet: She’ll record a voice for the animated film The Fantastic Mr. Fox.

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Angelina Jolie: More Famous For Off-Screen Perfomance?

Posted by Vogt
at May 21, 2008

Angelina Jolie: More Famous For Off-Screen Perfomance?

Some actresses are known for their amazing performances in their films.  But according to one author, Angelina Jolie is better known for her bizarre lifestyle than for her acting talent.

Jeanine Basinger, author of “The Star Machine,” asserts that Ang’s acting gigs come in second to her wild lifestyle when it comes to making her famous.  Basinger says that Angelina is, “the modern Lana Turner because her filmography is not really the source of her fame . . . Despite winning the Best Supporting Actress Oscar in 2000 for ‘Girl, Interrupted,’ Jolie has an overall filmography that is less than stellar.”

And there is plenty of evidence to back up Jeanine’s theory.  She told press, “(She twice) married and divorced very young; publicly kissed her brother a little too hard; admitted to cutting herself; made vague references to drugs; dated a woman; expressed a yearning to be ‘taken down’ by a suitably dominant individual of either gender; declared a willingness to try bondage; wore a vial of second husband (Billy Bob) Thornton’s blood (and divorced him amid allegations of his insatiable sex addiction).”

But Basinger says that Angelina’s circus of a life didn’t stop there.  She said the actress, “adopted a boy from Cambodia, a boy from Vietnam, and a girl from Ethiopia; allegedly delivered the death blow to Brad Pitt’s staggering marriage to Jennifer Aniston; conceived Pitt’s child; (has) given birth; and in the middle of all this, found time to take a genuine and serious mission to the United Nations on behalf of the world’s children.”

Here in Hollywood, she’s one of our favorites, and we’ll keep watching as the 32-year-old actress keeps us guessing.

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Elizabeth McGovern Biography

Posted by Vogt
at May 9, 2008

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A large-eyed, slightly baby-faced stage and screen performer McGovern first gained attention as Conrad Jarrett’s (Timothy Hutton) supportive and understanding girlfriend in the Oscar-winning “Ordinary People” (1980). The willowy actress followed with a stunning turn as Evelyn Nesbit in Milos Foreman’s adaptation of the E.L. Doctorow novel “Ragtime” (1981) netting a Best Supporting Actress Oscar nomination. While subsequent projects found her working with a number of top film directors, she failed to find roles that utilized her unique beauty and challenged her range and talent. She appeared as the object of Robert De Niro’s obsession in Sergio Leone’s “Once Upon a Time in America” (1984) and as Kevin Bacon’s pregnant wife in John Hughes’ “She’s Having a Baby” (1988). In 1989, McGovern offered two diverse performances as Mickey Rourke’s sympathetic girlfriend in Walter Hill’s “Johnny Handsome” (1989) and as a rebellious lesbian in Volker Schlondorf’s nonsensical thriller “The Handmaid’s Tale” (1989). McGovern fared better in the little seen romantic comedy-drama “The Favor” (1994) and was featured in the groundbreaking “Wings of Courage” (1995), Jean-Jacques Annaud’s period adventure, the first dramatic film shot in the IMAX 3-D format.

McGovern has been better served in her stage and TV roles, appearing off-Broadway in several productions, notably in Tina Howe’s “Painting Churches” (1989), David Hare’s “A Map of the World” (1990) and Shakespeare’s “As You Like It” at the Delacorte Theater in Central Park. Her TV debut was opposite Beau Bridges in the adaptation of “The Man in the Brooks Brothers Suit” on the HBO anthology “Women & Men: Stories of Seduction” (1990). She later played an FBI agent in “Broken Trust” (TNT, 1995). McGovern made the jump to series TV headlining the short-lived sitcom “If Not For You” (CBS, 1995). Portraying a woman engaged to a boring yuppie but fighting a growing attraction to a co-worker, she gave a deft and sweetly comic turn. Using her expressive face and throaty voice, she revealed a previously untapped comic sensibility. McGovern married English producer-director Simon Curtis in 1992.

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Glenn Close Biography

Posted by Vogt
at May 9, 2008

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A strong-featured, coolly patrician blonde, Glenn Close spent her childhood and adolescence involved in the conservative Moral Re-Armament movement. As she entered her teenaged years, she was sent to boarding schools in Switzerland and Connecticut while her physician father operated medical clinics in the Congo (later Zaire). Close spent a couple of years traveling with the folk singing group Up With People before she decided to attend college. After graduating from William and Mary, she headed to NYC where she almost immediately found work with the Phoenix Theatre Company, appearing in “Love for Love” and “The Member of the Wedding”. Close was cast as Mary Tudor in the Richard Rodgers’ musical “Rex” (1976) and she had her breakthrough Broadway role in another musical, “Barnum” (1980), playing the patient wife of showman P T Barnum.

Close was 35 when she made her first film, “The World According to Garp” (1982), cast as Robin Williams’ prim, hard-nosed mother, a role that earned her the first of three consecutive Best Supporting Actress Oscar nominations. She was among the final five for her warmly wise physician wife of Kevin Kline in “The Big Chill” (1983) and again as Robert Redford’s virginal girlfriend in “The Natural” (1984). Close returned to Broadway and won a Tony Award opposite Jeremy Irons in Mike Nichols’ staging of “The Real Thing”, a romantic comedy by Tom Stoppard. Throughout the 1980s, she alternated between high profile features, TV-movies and occasional stage roles. As she ascended to leading lady, she attempted to undertake parts with depth. In the groundbreaking ABC special “Something About Amelia” (1984), Close delineated a woman who gradually comes to realize her husband has been molesting their daughter.

Her Hollywood presence improved with her turn as a lawyer romantically entangled with her client in “Jagged Edge” (1985) and the actress solidified her position and forever altered her screen persona as the vengeful rejected lover in Adrian Lyne’s controversial “Fatal Attraction” (1987). The role earned Close her first Best Actress Oscar nomination and she followed with another nomination for her sexually manipulative aristocrat in “Dangerous Liaisons” (1988). She brought surprising sympathy to the role of the pathetic, frivolous society matron Sunny von Bulow in “Reversal of Fortune” (1990) and proved effective as the rather youthful Gertrude to Mel Gibson’s “Hamlet” (also 1990).

In 1991, Close made her first foray into TV-movie producing with the “Hallmark Hall of Fame” presentation “Sarah, Plain and Tall” (CBS, 1991) which proved so popular two sequels, “Skylark” (CBS, 1993) and “Sarah, Plain and Tall: Winter’s Edge” (CBS, 1999), were produced. Sandwiched between was a return to Broadway opposite Gene Hackman and Richard Dreyfuss in the politically charged “Death and the Maiden” (1992), which earned her a second Tony Award. While she lost the film version of that play to Sigourney Weaver, Close remained busy, but the quality of the films varied. She was fine as the tough managing editor of a tabloid who engages in fisticuffs with a reporter in “The Paper” but was miscast as a repressed spinster Latina in “The House of the Spirits” (both 1994).

Attempting her first leading musical role, silent screen star Norma Desmond in the Andrew Lloyd Webber musical “Sunset Boulevard”, Close achieved diva status reincarnating this larger-than-life tragic character immortalized onscreen by Gloria Swanson in Billy Wilder’s 1950 classic. While it was a personal triumph for her, there was some controversy. Patti LuPone who originated the role in London had originally been announced for the Broadway production but her reviews were less favorable than Close’s in Los Angeles. and Close was chosen to open in New York. Some critics did find fault with Close’s singing and over-the-top acting, but audiences were enchanted and she received her third Tony Award.

Following closely on her stage triumph, Close won an Emmy for her shaded portrayal of real-life US Army colonel who disclosed her lesbianism and fought to remain in the military in “Serving in Silence: The Margarethe Cammermeyer Story” (NBC, 1995). Perhaps as a nod to her Norma Desmond, the actress embodied outsized flamboyant characters and chewed the scenery as a Nancy Reagan-like First Lady in “Mars Attacks!” (1996) and as the live action cartoon Cruella De Vil in Disney’s “101 Dalmatians” (1996), a role she reprised in the 2000 sequel “102 Dalmatians” (her Disney ties were also revived when she voiced Kala, the she-ape who raised the Lord of the Jungle, for the studio’s 1999 animated adaptation of “Tarzan”). Close reined it in to depict a mother whose AIDS-afflicted son has come home to die in HBO’s “In the Gloaming” (1997) with director Christopher Reeve; and as a female prisoner of war in a Japanese camp in “Paradise Road” (1997). As a female US Vice President coping with the kidnapping of the First Family in “Air Force One” (also 1997), the actress once again proved her capability at depicting forceful women, an image Close swiftly tweaked when she played one of her richest roles, the devious Camille Dixon of director Robert Altman’s sunny ensemble comedy “Cookie’s Fortune” (1999), playing the niece of the deceased titular character who discovers Cookie’s dead body and rearranges the death scene to make it look like a break-in and a murder.

Close also scored with her role in “Things You Can Tell Just by Looking at Her” (2000), an anthology of five loosely connected stories dealing with a variety of very different women in dealing with life problems. In the segment titled “This is Dr. Keener” Close played a successful physician who, at midlife, finds herself alone and perplexed that a new love interest will not return her phone calls. When a remarkably accurate tarot card reader makes a house call, Dr. Keener begins to assess the true emptiness of her own condition.

With challenging roles for actresses of her age often hard to come by on the big screen, Close found challenging work on the small screen, including the 2001 CBS telepic “The Ballad of Lucy Whipple,” playing a recently widowed mother of three who travels to California during the Gold Rush of 1850 to start a new life, clashing with her spirited 13-year-old daughter who does not share her mother’s dream. She also tackled the role of Nelly Forbush in an ABC TV adaptation of the famed Rogers & Hammerstein musical “South Pacific” (2001), had a hilariously high camp guest spot on the NBC sitcom “Will & Grace” which earned her an Emmy nomination as a guest performer, and starred in a CBS Hallmark Hall of Fame production “Brush with Fate” (2003), an adaptation of Susan Vreelands’s collection of stories that trace the history and ownership of what may be an undiscovered work of art by 17th century Dutch painter Jan Vermeer. She also tackled a role made famous by Katharine Hepburn: Eleanor of Aquitaine (opposite Patrick Stewart’s Henry VII) in a television version of “The Lion in Winter” (2003-2004).

In 2005, Close earned her first Golden Globe Award, for Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television, for her performance in “The Lion in Winter,” along with a Screen Actors Guild Award as Outstanding Performance by a Female Actor in a Television Movie or Miniseries, and she received an Emmy nomination for Outstanding Lead Actress in a Miniseries or a Movie. Close followed up as part of the ensemble of the 2004 telepic “Strip Search,” which explored themes surrounding the loss of personal freedom in the wake of the Sept. 11, 2002 terrorist attacks.

Back on the big screen, she essayed a series of supporting roles, playing a dutiful mother obsessively tending to her comatose son in “The Safety of Objects” (2001) and a warm, experienced and practical American academic living in Paris who quietly and knowingly observes her naive young assistant (Kate Hudson) enter into an affair with an older, married Frenchman in the Merchant Ivory production of “Le Divorce” (2003). Segueing into a full-blown comedic role, Close grandly hit all the right notes as too-perfect Claire Wellington, the grand dame of the Stepford society of subservient spouses in the otherwise failed satirical remake of the thriller “The Stepford Wives” (2004). The actress then took on her first regular role in a television series, joining the cast of FX’s gritty crime drama “The Shield” in its fourth season in 2005, playing the shrewd new precinct commander Capt. Monica Rawling, offering redemption to the series’ antihero Vic Mackey (Michael Chiklis). Producers credited a 30% vise in viewers to her presence, but the actress chose to depart the series at the conclusion of her first season.

Stepping back into the more comfortable realm of character-drive drama, she appeared in the weighty “Heights” (2005), playing the mother of a New York City photographer (Elizabeth Banks) who begins to rethink her open marriage, while her daughter has second thoughts about her pending nuptials with her lawyer fiancée (James Marsden). Questions soon force answers, as all involved make life decisions in the course of a single night. “Heights” received good reviews from most critics, with the typical kudos Close has been given throughout her career. She then appeared in a strong ensemble cast in “Nine Lives” (2005), playing a widowed mother whose life has been taken over by her precocious young daughter (Dakota Fanning).

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