Carol Burnett Cohort Harvey Korman Dies

Harvey Korman

Harvey Korman was always goodif not better than mostfor a laugh.

The Emmy-winning actor, best known for his rib-tickling antics on The Carol Burnett Show and one of Mel Brooks’ favorite go-to funnymen, died Thursday at UCLA Medical Center. He was 81.

According to the hospital, Korman died of complications from an abdominal aortic aneurysm that ruptured four months ago.

While his most memorable film role had to be his turn as the overly sensitive Hedley Lamarr in Brooks’ classic Western spoof Blazing Saddles, it was Korman’s work in parody sketches such as “Went With the Wind” and “As the Stomach Turns” during his 10 years on The Carol Burnett Show that made him a top comedian.

Korman, a former Navy man who couldn’t make it on Broadway but had comic timing to spare, won four Emmy Awards while on the show.

“Carol is absolutely devastated,” said Burnett’s personal assistant, AngieHorejsi said. “She loved him very much.”

In the late 1990s, he and Carol Burnett costar Tim Conway teamed for a successful traveling act, Tim Conway and Harvey Korman: Together Again, that lasted until December, with the septuagenarians performing up to 120 dates a year.

“I don’t know whether either one of us was the straight man,” Conway told the Los Angeles Times Thursday. “The most important thing in comedy when you’re working together is for one guy to know when to shut up. And we both knew when to shut up; quiet show, actually.”

In addition to Blazing Saddles, Korman appeared in the Brooks films High Anxiety, History of the World: Part I and Dracula: Dead and Loving It.

“A world without Harvey Kormanit’s a more serious world,” Brooks said. “It was very dangerous for me to work with him because if our eyes met we’d crash to floor in comic ecstasy. It was comedy heaven to make Harvey Korman laugh.”

But aside from his “dazzling” comedic talent, Brooks said, “Harvey was such a good solid actor that he could have done Shakespearean drama just as well and easily as he did comedy.”

Over the years, he made dozens of guest-star appearances in TV series such as ER, Roseanne, The Love Boat, Perry Mason and Burke’s Law, and showed up in a number of films, including two of the Pink Panther sequels and the big-screen adaptation of Gypsy.

Korman is survived by his wife Deborah; daughters Kate, Laura and Maria; son Chris and three grandchildren.

LaBoeuf and Carell wrap up the SNL season

Steve CarellWith just two episodes left in the current season of Saturday Night Live, fans are eagerly awaiting news about the final host. Yeah? No? Just me? All right.

Well, Me, good news! We knew Shia LaBoeuf and My Morning Jacket would be taking on the May 10 episode in what will most likely be another youthful crowd-pleaser, but here comes word that the final episode will be hosted Steve Carell and musical guest Usher. Yeah, that ol’ dream team. Both LaBoeuf and Carell will be on their second hosting stints and, if their first times were any indication, they will deliver strong performances. I mean, assuming the writing does justice to their comedic talent.

LaBoeuf last hosted just a little over a year ago. Apart from “Dear Sister”, the Digital Short send-up of The OC’s Frou Frou moment, it was a fairly unmemorable episode, mainly due to some weak writing. Maybe this time, the staff will work extra hard to please the freshest face in the Indiana Jones franchise. This ain’t no Transformers.

As for Mr. Carell, he first hosted way back in 2005 in the season premiere, and he did a pretty solid job. His performance came as no surprise from a man with an incredible sketch comedy background. I vaguely remember a cute opening number during his monologue and a Ray Ramono impression during the episode, but that’s about it. Now that Carell really has made it to the comedy big time that he sang about in his episode opener, it’ll be interesting to see if he can close this strange SNL season with a bang.

Kirstie Alley Biography

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Sultry and deep voiced, with a wealth of wavy dark hair, Alley has made a name for herself as both a wacky comic and an impressive dramatic actor primarily on the small screen. First known as the beautiful Vulcan Lt. Saavik in “Star Trek II: The Wrath of Khan” (1982), Alley struggled through a series of unrewarding roles in the early 1980s. In features, she followed “Star Trek” (she lost the role of Saavik in the third feature after reportedly asking for a salary on par with original franchise stars William Shatner and Leonard Nimoy) with “Champions” (1983), “Blind Date” and “Runaway” (both 1984) and the teen comedy “Summer School” (1987). On TV, she played a trucker in the NBC pilot “Highway Honeys” (1983), a spy in the short-lived “Masquerade” (ABC, 1983) and turned up in such TV-movies as “Prince of Bel-Air” (ABC, 1985) and “Infidelity” (ABC, 1987).

None of these projects knew how to use Alley’s quirky gifts, though she gained a bit of prestige as Gloria Steinem in “A Bunny’s Tale” (ABC, 1985) and in the successful miniseries “North and South” (ABC, 1985) and its 1986 sequel. Her big break came when she became the female lead (after Shelley Long departed) in the long-running hit NBC sitcom “Cheers” in 1987. Alley was cast as neurotic overachiever Rebecca Howe, who despite an attraction to bar owner Sam Malone (Ted Danson), tended to become involved with wealthy powerful men who might improve her status in life. Her small screen success led to movie stardom as a flustered single mom in the surprise 1989 hit, “Look Who’s Talking” and its the less successful sequels “Look Who’s Talking Too” (1990) and “Look Who’s Talking Now” (1993).

Projecting intelligence, vulnerability, and a Lucille Ball-like comedic talent, Alley has carved a niche in TV and films. She finally gained respect as a dramatic actress with her brilliant Emmy-winning performance as “David’s Mother” (CBS, 1994), a slovenly woman raising a mentally-challenged son. Besides appearing on numerous awards and tribute specials, Alley was a voice-over on “Peter and the Wolf” (ABC, 1995), and played another put-upon mother in “Radiant City” (ABC, 1996). She made her bow as executive producer with the ABC drama “Suddenly” (1996), in which she also starred.

Alley’s film career has been rockier. While filming “Cheers”, she moonlighted in such poorly-received features as “Loverboy” (1989), “Madhouse” and “Sibling Rivalry” (both 1990). After the sitcom ended in 1993, Alley returned to features in John Carpenter’s unnecessary remake of “Village of the Damned” (1994) and co-starred with Steve Guttenberg and the Olsen twins in the romantic comedy “It Takes Two” (1995). She has continued to appear in a variety of projects ranging from the revisionist Western “Nevada”, about a town seemingly populated only by women, to Woody Allen’s “Deconstructing Harry” (both 1997), as the title character’s ex-wife. That same year, she co-starred with Tim Allen as a married couple on the run from the IRS who hide out among the Amish in “For Richer or Poorer”. She rounded out the year by returning to series TV as the star of the NBC sitcom “Veronica’s Closet”, a less than stellar effort that nevertheless managed to run for three years. Alley continued to appear in the occasional feature, such as playing a controlling mother of an aspiring beauty queen in the pageant comedy “Drop Dead Gorgeous” (1999) and frequently headlined high profile telepics and miniseries including “The Last Don” (1998), the Marilyn Monroe mini “Blonde” (2001), “Salem Witch Trials” (2002) and the particularly well-acted “Profoundly Normal” (2003), opposite Delroy Lindo, about the true-life romance between a mentally challenged couple.

The actress also remained in the public eye as the pitchwoman in a series of commercials for the home furnishing company Pier 1 from 2001-2003, although media attention began to focus on how the former sex symbol’s once jaw-dropping figure had begun to expand in middle age–she later revealed she weighed as much as 219 lbs. Always an outspoken actress with a button-pushing sense of humor, Alley played off the tabloid obsession with her weight by agreeing to star in the Showtime series “Fat Actress” (2005 - ), playing a comedic interpretation of herself as a once-successful actress struggling in Hollywood after packing on extra pounds. As a result, Alley–who revealed that her weight was strictly moniored during her sit-com days, and brashly confronted talk show host Jay Leno for his fat jokes at her expense–also became a spokeswoman for the weight loss system Jenny Craig and began dramatically shedding her excess weight.

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