Audiences Wanted WALL-E, Jolie
The robot fought Angelina Jolie to a draw.
WALL-E, the new Disney/Pixar film about a lonely little robot, grossed $62.5 million to top the weekend box office, according to Exhibitor Relations estimates today.
But pound for pound, Wanted was the bigger film.
Debuting at about 800 fewer theaters than WALL-E, Wanted, the Jolie action film, outgrossed the animated movie by nearly $500 per screen. It’s a statistical win that can be credited to its star’s pull with young men, yes, but also to its wealth of full-price admission tickets. (Wanted is rated R, while WALL-E is rated G for “good for a kid’s discount.”)
In the box office standings, Wanted finished second, with a $51.1 million take.
According to Box Office Mojo stats, WALL-E’s opening was the best for a Pixar film since 2004’s The Incredibles, and was a substantial upgrade over last summer’s critically acclaimed though rat-addled entry, Ratatouille, which debuted with $47 million.
Wanted becomes Jolie’s biggest opener ever, outdoing the first Lara Croft movie and Mr. & Mrs. Smith, which costarred Brad Pitt.
The box office’s latest one-two punch, coming a few weeks after the Kung Fu Panda/You Don’t Mess with the Zohan combo, helped push Hollywood into the black. For the first time in a long while, ticket sales are up over where they were at this point last year. Overall attendance, however, is still down.
WALL-E and Jolie, after all, are only two people. Well, one robot and one pregnant-with-twins superstar.
Other notable box office doings:
- Last weekend’s No. 1 movie, Steve Carell’s Get Smart, fell to third, but hung tough (i.e., ticket sales were down less than 50 percent). Its $20 million gross pushed its overall take to $77.3 million.
- Last weekend’s disappointment, Mike Myers’ The Love Guru, fell from fourth to sixth, and saw its modest business plunge 61 percent. Its $5.4 million gross pushed, if that’s the word, its overall take to, um, $25.3 million.
- Kung Fu Panda (fourth place, $11.7 million) kept on keeping on, and neared the $180 million cumulative mark.
- Sex and the City (ninth place, $3.8 million) moved past the $140 million mark.
- A moment of silence, please, for Iron Man, which slipped out of the Top 10 after eight scorching weekends. The film still came up with another $2.3 million, and saw its league-leading overall gross hit $309.2 million.
- Also dropping out of the Top 10: the horror-thriller The Strangers ($611,000, per Box Office Mojo), which has $51.5 million in the bank after five solid weekends.
- Abigail Breslin’s Kit Kittredge: An American Girl cleaned up again in limited release. The film took in $106,000 at five theaters, Box Office Mojo said. It goes wide on Wednesday.
- Trumbo, the new documentary about blacklisted screenwriter Dalton Trumbo, did well, grossing $28,500 at three theaters.
Here’s a recap of the top-grossing weekend films based on Friday-Sunday estimates compiled by Exhibitor Relations:
- WALL-E, $62.5 million
- Wanted, $51.1 million
- Get Smart, $20 million
- Kung Fu Panda, $11.7 million
- The Incredible Hulk, $9.2 million
- The Love Guru, $5.4 million
- Indiana Jones and the Kingdom of the Crystal Skull, $5 million
- The Happening, $3.9 million
- Sex and the City, $3.8 million
- You Don’t Mess With the Zohan, $3.2 million
Disney/Pixar is Sending Out Body Parts in Boxes?!
Newspaper reporter Chris Arnold received a package from Disney, inside he found a couple body parts… two ears. Not long after, Arnold received another package with another body part, this time an entire arm, in another package addressed from Disney.
Hast Disney gone insane? Nope, it’s just part of promotion for Disney/Pixar’s Toy Story Mania! interactive attraction at Disney Theme Parks. The first package contained a pair of Mr. Potato Head’s ears, and read: ‘Heard the News?’. The second package contained Mr. Potato head’s white right arm, and read: “I’d give my right arm for an attraction this fun!” I wonder what the next body part might be? Great marketing by Disney but kinda creepy when you think about it.
Pixar Goes To the Pompeii Ruins
After posting the Future of Pixar update, I received a lot of emails from people asking “What happened to Brad Bird’s 1906?” or “What about the long rumored John Carter of Mars adaptation?” Well there are a couple answers, but the best one to lead with is that the Disney/Pixar press conference focused only on their future animated film releases. Anyways, 1906 is in pre-production, and Campania’s new regional heritage councilor, Claudio Velardi, let word slip in a archeology article in Newsweek that Pixar and Warner Bros. are interested in using the ruins of Pompeii for a future movie set. Roman Polanski’s Pompeii shot in Spain due to the ruins “astronomical” rental fee. So it’s not set in stone that Pixar will pay the large fee to shoot in the ruins of Pompeii.
Now here is where things get interesting… My friend Mike at The Pixar Blog point out that 1906’s retelling of the story of the great San Francisco earthquake, might not require shooting on the ruins. Pompeii is not even mentioned once in James Dalessandroonce’s book. But Velardi, while never mentioning the film’s title, does mention Warner Bros/Pixar, two studios that have teamed up to produce Bird’s adaptation of 1906. So either Bird has scripted a new scene for 1906 set in Pompeii, or maybe it’s an entirely different project completely…
Could Warner Bros also be teaming up with Pixar yet again for the long rumored adaptation of John Carter of Mars?
Pixar Announces Up, Newt, The Bear and the Bow and Cars 2
Big news on the Disney/Pixar front, the mouse house has revealed Pixar’s future animation slate:
May 29th 2009: From the Academy Award®-nominated team of director Pete Docter (Monsters, Inc.) and co-director Bob Peterson comes Up, a comedic adventure taking off (and lifting spirits). Here is a brand new plot synopsis direct from the studio: Carl Fredricksen (voiced by Ed Asner) spent his entire life dreaming of exploring the globe and experiencing life to its fullest. But at age 78, life seems to have passed him by, until a twist of fate (and a persistent 8-year old Wilderness Explorer named Russell) gives him a new lease on life. Up takes audiences on a thrilling journey where the unlikely pair encounter wild terrain, unexpected villains and jungle creatures. When seeking adventure next summer – look Up. Christopher Plummer voices the villian. Up will be released in Disney Digital 3-D™.
October 2nd, 2009: TOY STORY in 3-D
February 12th, 2010: TOY STORY 2 in 3-D
June 18th, 2010: The creators of the beloved Toy Story films re-open the toy box and bring moviegoers back to the delightful world of Woody, Buzz and our favorite gang of toy characters in Toy Story 3. All we know is that Andy grows up and is leaving for college. Lee Unkrich, co-director of Toy Story 2 and Finding Nemo) directs this highly anticipated film, and Michael Arndt, the Academy Award-winning screenwriter of Little Miss Sunshine, brings his unique talents and comedic sensibilities to the proceedings. The voice talent confirmed includes: Tom Hanks, Tim Allen, Joan Cusack, Don Rickles, Wallace Shawn, Estelle Harris, John Ratzenberger, Ned Beatty. Composer Randy Newman returns.
Summer 2011: newt marks the directing debut of multiple Academy Award winning sound designer Gary Rydstrom, who made his Pixar debut with the short film Lifted, which premiered in front of Ratatouille. What happens when the last remaining male and female blue-footed newts on the planet are forced together by science to save the species, and they can’t stand each other? Newt and Brooke embark on a perilous, unpredictable adventure and discover that finding a mate never goes as planned, even when you only have one choice. Love, it turns out, is not a science. Will be released in Disney Digital 3-D™.
Christmas 2011: The Bear and the Bow is Pixar’s first fairy tale, from acclaimed filmmaker/writer Brenda Chapman (The Prince of Egypt). Chapman began as an additional animation artist on Who Framed Roger Rabbit and contributed story for The Little Mermaid, The Rescuers Down Under, Beauty and the Beast, The Lion King, The Hunchback of Notre Dame, Fantasia 2000, Chicken Run and Cars. A rugged and mythic Scotland is the setting for Pixar’s action-adventure “The Bear and the Bow.” The impetuous, tangle-haired Merida, though a daughter of royalty, would prefer to make her mark as a great archer. A clash of wills with her mother compels Merida to make a reckless choice, which unleashes unintended peril on her father’s kingdom and her mother’s life. Merida struggles with the unpredictable forces of nature, magic and a dark, ancient curse to set things right. Director Brenda Chapman and the storytelling wizards of Pixar conjure humor, fantasy and excitement in this rich Highland tale. Will be released in Disney Digital 3-D™.
2012: Cars 2 will be directed by Brad Lewis, the producer of Ratatouille and Antz. All the world’s a racetrack as racing superstar Lightning McQueen zooms back into action, with his best friend Mater in tow, to take on the globe’s fastest and finest in this thrilling high-octane new installment of the “Cars” saga. Mater and McQueen will need their passports as they find themselves in a new world of intrigue, thrills and fast-paced comedic escapades around the globe. Will be released in Disney Digital 3-D™.
The big news is that all of the announced future Pixar releases will get the Digital Disney 3-D treatment. I remember the days when Brad Bird was preaching that Pixar would only do 3D if it complimented the story. But I understand that 3D is the newest trend, and the result is bigger box office, so Pixar must go with the flow. I just wonder if Pixar would have made this choice if they weren’t owned by Disney. Bird also said that Sequels aren’t in the Pixar business plan and they also just announced Cars 2, the second sequel to be released by the studio in the next four years. The other big news is that it appears that Pixar will now be taking on two films per year starting in 2009. I hope this doesn’t result in a loss of quality. The Bear and the Bow and Newt sound, at least on the surface, more like films that Disney would make. But We’ll have to wait and see.