Will Smith’s Superpowers Still Work
Will Smith did Hancock a solid.
Smith has star-powered the poorly reviewed superhero hybrid to a $66 million opening weekend, and a No. 1 finish, according to Exhibitor Relations estimates today.
WALL-E, last weekend’s champ, stayed strong, grossing another $33.4 million, but finished a distant second.
Hancock goes down as Smith’s seventh straight movie to open No. 1. If you count Shark Tale, the 2004 animated comedy, as a Smith movie, his streak stands at eight straight.
Overall, Hancock has grossed $107.3 million since “previewing” on Tuesday night and “opening” on Wednesday.
Looking strictly at the movie’s first five days, Wednesday-Sunday, Hancock took in $100.4 million, per Box Office Mojo stats, far behind the pace of this summer’s two leading movies, Indiana Jones and the Kingdom of the Crystal Skull ($152 million) and Iron Man ($112.1 million).
Among Smith movies, Hancock becomes his top Fourth of July opener, a testament to the star’s drawing power, yes, but also inflation.
Run the movie math (divide the opening weekend gross by the average ticket price), and the numbers show Independence Day, Smith’s signature Fourth of July hit, sold nearly two million more tickets in its opening weekend in 1996 than Hancock did this weekend.
It’s actually better not to run the movie math. Not if you want to enjoy the holiday weekend to the fullest.
Other box office notes:
- Where WALL-E remained hot and pushed its two-weekend total to $128.1 million, Angelina Jolie’s Wanted (third place, $20.6 million; $90.8 million overall) cooled off considerably, with business down 60 percent.
- In its third weekend, Kit Kittredge: An American Girl, the critically praised Abigail Breslin family film, opened wide and dieda doll-sized $3.6 million (eighth place) off nearly 1,850 screens.
- Speaking of the dearly departed, Mike Myers’ The Love Guru ($1.7 million) dropped out of the Top 10 after just two weekends.
- Looking on the bright side of a big giant bomb, The Love Guru, at $29.3 million overall, is the highest-grossing Justin Timberlake movie of all time. As long as you don’t count Shrek the Third as a Justin Timberlake movie. Which you really shouldn’t.
- The 1990s-nostalgia trip The Wackness, starring Drake & Josh’s Josh Peck, was the star in limited release, grossing $145,064 at six theaters. Its per-screen average of $24,177 was the tops for any movie of the weekend.
- Despite three movies taking in more than $20 million, the Hancock-led Fourth of July was 4 percent smaller than last year’s Transformers-led Fourth of July. The setback set 2008’s overall business once again behind 2007’s.
Here’s a recap of the top-grossing weekend films based on Friday-Sunday estimates compiled by Exhibitor Relations:
- Hancock, $66 million
- WALL-E, $33.4 million
- Wanted, $20.6 million
- Get Smart, $11.1 million
- Kung Fu Panda, $7.5 million
- The Incredible Hulk, $5 million
- Indiana Jones and the Kingdom of the Crystal Skull, $3.9 million
- Kit Kittredge: An American Girl, $3.6 million
- Sex and the City, $2.3 million
- You Don’t Mess With the Zohan, $2 million
Spielberg Digs Up Clues
Steven Spielberg is having a Clues encounter of the 39 kind.
The Oscar-winning filmmaker is pumping up his already crowded slate with another would-be blockbuster. DreamWorks has acquired the big-screen rights to The 39 Clues, a multiplatform adventure series hitting stores in September from Scholastic Mediaa publisher that knows a thing or two about launching mega-franchises, having foisted a little something called Harry Potter on us Yanks.
As first reported in Variety, Spielberg will produce the film and could also direct should one of several other projects he’s been developing fail to get off the ground. A search is already under way for a screenwriter to adapt the franchise.
Scholastic will roll out Clues over a period of two years, beginning with the first installment, The Maze of Bones. Nine other literary adventures are expected to follow, accompanied by a set of collectible cards and an online game that will run for two years and give Netizens the chance to solve a mystery and win a $10,000 grand prize.
“The 39 Clues takes creative leaps to expand the story experience from the pages of the books to multiple stages of discovery and imagination,” Spielberg said in a statement.
The franchise centers around the most powerful family in the world, the Cahills, whose relatives include Napoleon and Houdini. In the first book, Cahill matriarch Grace alters her will at the last minute to give her descendants a choice: Either accept $1 million or receive one of 39 clues hidden around the globe that will reveal the source of the family’s power.
Based on Maze of Bones author Rick Riordan’s outline for the 10-book series, there would be enough material for as many as three or four movies.
After reviving Indiana Jones last month to the delight of moviegoers and his accountant (the sequel has grossed nearly $400 million worldwide and counting), Spielberg has plenty in the pipeline.
The pending projects include The Trial of the Chicago 7, chronicling the 1968 protests at the Democratic National Convention in Chicago and the high-profile conspiracy trial that followed; Lincoln, a presidential biopic starring Liam Neeson; and two Tintin adventures he’s developing with Peter Jackson.
David Hasselhoff’s Pity Party of One
“I didn’t get a chance to see the show until the final product, and it was clearly not what it could’ve been…It’s going to miss the target a little bit…It’s like [having] Indiana Jones without Indiana Jones.”
David Hasselhoff, who played Michael Knight on TV from 1982 to 1986, on the new Knight Rider series being shot without his input
First Look At ‘Fast And Furious’!
USA Today has the first three official images from the currently filming Fast and Furious movie!
The movie is a sign of the strength of “quiet giants,” franchises that “might not be James Bond or Indiana Jones but still have a rabid following, especially overseas or on DVD,” says Paul Dergarabedian of Media by Numbers.
Even Justin Lin, who directed 2006’s Tokyo Drift, has been surprised by the franchise’s reach.
“I was in Barcelona, and a kid from Spain comes up and just says ‘Fast and Furious,’ ” Lin says. “It’s amazing how many kids know it.”
Indeed, the series has made $600 million worldwide and is one of Universal Studios’ best-selling DVD titles.
“We were doing a movie about illegal racing before most people even knew how popular it was,” Diesel says. “How many franchises are that based on the real world?”
But it’s not all current events, Walker says. “Who doesn’t like fast cars and hot women?”
Erm… indeed?
F&F rolls its way into theaters June 9, 2009.