Will Ferrell Talks Land of the Lost, Old School 2, Elf 2 and A Confederacy of Dunces

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Will Ferrell’s R-rated ABA romp, Semi-Pro, opens today and is expected to do boffo business. Buzz is good, but not spectacular. Nobody’s calling the film a comedy classic, and it arguably could have been. Great source material. The actor took a time-out from picking his ‘fro to chat with AICN twice about his upcoming mega-budget sci-fi comedy Land of the Lost, as well as eulogize a few other projects. Directed by Brad Siberling, who did Casper and Moonlight Mile, I’m still not sure what to expect from this 2009 film that pits Ferrell against CGI dinosaurs, especially when it comes to tone. Ferrell alludes to it being less like, I dunno, The Flintstones but doesn’t clarify much more…

“[Land of the Lost] will be PG-13, which I understand why that is and yet we still want [edge]. …It’s right up to an R and we are going to pull that line with the studio, because I already had an experience with Kicking and Screaming. Kicking and Screaming was supposed to be more of a Bad News Bears type comedy and they kind of [made it lame and made it PG].”

One film that I think Ferrell is perhaps born to star in (but apparently will not) is a film adaptation of A Confederacy of Dunces, widely cited as one of the best American novels ever written. While I’m of the belief that The Catcher in the Rye should never be put to film, after seeing Stranger Than Fiction, a dramedy that is still widely underrated, I remain convinced that Ferrell can do justice to Dunces‘ main character, the eccentric, 30-year-old ne’re-do-well Ignatius J. Reilly. A few years ago Ferrell was attached, along with Natasha Lyonne (a clever choice for the love interest Myrna Minkoff), with David Gordon Greene (The Pineapple Express, George Washington) to direct. Might it still happen…?

“As far as I know [an adaptation] is gone. …It’s a mystery. For some reason that’s a very scary project for people to take on and I don’t know why, but yeah I have no idea. The script…I loved it. …I think that’s such a big piece to tackle, that I think for a script, they didn’t have every single scene in the book, but it was a really nice effort, but I don’t know what to tell you.”

And from a literary classic to a beer pong/bong classic, wassup with Old School 2?

“I read [the script]. Some super funny set pieces, but I don’t know. I think Vince [Vaughn] had the same reaction. We’re just kind of doing the same thing again. It was like us going to Spring Break, but we’ve got to find this guy who’s the head of a fraternity. Once again, funny things but it’s just us once again back in a fraternity setting. It just felt like it was repeating. But watch, I’m over thinking it.”

And like a dingleberry stuck to a long and winding news item, Ferrell updates us about Elf 2: It’s dead.

Maggie Gyllenhaal Biography

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A versitile and intriguing actress, whose penetrating acting and off-kilter beauty were initially relegated to supporting roles, Maggie Gyllenhaal broke out to the forefront with the edgy S&M themed drama “Secretary.” Despite this being her first starring role, she did not spend much time in the trenches, having a relatively painless decade paying dues before getting her first major role at the age of 24.

Having grown up in a family of entertainment professionals, it is no surprise Gyllenhaal decided to pursue a career in acting. Her mother is successful screenwriter Naomi Foner (Oscar nominated for her 1988 screenplay for “Running on Empty,” starring River Phoenix) and her father is accomplished film and television director Stephen Gyllenhaal (nominated for an Emmy for 1990 telepic “A Killing in a Small Town” and directed feature “Losing Isaiah” in 1995). Adding a healthy dose of sibling rivalry to go along with these parental expectations, her brother is successful actor Jake Gyllenhaal (”Moonlight Mile” 2002).

Gyllenhaal was born in New York City but grew up in Los Angeles where she and her brother attended the prestigious Harvard-Wakeland prep school, known as a “who’s who among who’s whose kids” in the Hollywood circle. Here Gyllenhaal was an excellent student and active in the drama program. At the age of 15, Gyllenhaal had her feature debut in the nostalgic drama “Waterland” (1992), directed by her father and starring Jeremy Irons and Ethan Hawke. She next had another small role in “A Dangerous Woman” (1993), also directed by her father. In 1995, Gyllenhaal moved to New York to attend Columbia University. While she was busy studying Eastern religion and literature in school, she also found the time to further her professional acting career. She appeared in two more television movies directed by her father as well as the feature “Homegrown” (1998), also written and directed by her father.

After graduating from Columbia in 1999, Gyllenhaal certainly had ample exposure to the film and television world. However, in order to really break into the business, Gyllenhaal would need a stand-out role to get her in the running for the high-profile parts. That break came in the form of her role as Raven, a Satanic make-up artist in the eccentric John Waters film “Cecil B. Demented.” (2000). This gave Gyllenhaal enough recognition that she landed a string of supporting roles the following year. She played her brother’s sister in the far-out sci-fi movie “Donnie Darko” (2001), appeared in “Riding in Cars with Boys” (2001) and was featured in the teen romance “40 Days and 40 Nights.”

Not the kind of actress meant to lay wait in obscurity for very long, Gyllenhaal had a breakout performance with “Secretary” in 2002. Playing a timid young woman recovering from a mental breakdown who engages in a S&M relationship with her boss, Gyllenhaal brought the depth and delicacy called for in the role. The movie won the Special Jury Prize at Sundance and was promptly picked up for theatrical distribution. Gyllenhaal’s indie actress, star-on-the-rise status was solidified with awards nominations–including a Golden Globe– and her next projects, Charlie Kaufman’s mind-bending film-about-writing-a-film “Adaptation” (2002) and the John Sayles directed “Casa de Los Babys” (2003). She also joined fellow up-and-comers Julia Stiles and Kirsten Dunst as students of a liberal-minded instructor (Julia Roberts) at 1950s Wellesley College, nearly stealing the entertaining but routine movie as Giselle Levy, the wised-up class rebel who sleeps around and almost loses her bearings. Quickly gaining a reputation as a cerebral actress, often compared to the likes of Cate Blanchett, Emily Watson or a young Diane Keaton, Maggie Gyllenhaal has stepped out from the shadow of her parents and her brother and to shine alone in the spotlight.

The actress continued to deliver a string of unflinching, unselfconscious performances, including Sidney Lumet’s harrowing HBO telepic “Strip Search” (2004), in which two parallel plotline exploring post-9/11 issues of civil liberties and personal freedoms. Gyllenhaal played an American woman detained in China on suspicion of terrorisim, forced to defend her own rights to an interrogator (Ken Leung) in a sweltering basement prison, stripped bare both physically and emotionally. After compellingly playing a hustling con artist in the otherwise middling crime drama “Criminal” (2004), Gyllenhaal turned in one her most winning performances to date in director Don Roos’ seriocomic “Happy Endings” (2005). As the morally ambiguous singer Jude, who seduces a closeted gay youth (Jason Ritter) then turns her sights on his lonely, wealthy father (Tom Arnold) Gyllenhaal dazzled with her subtle, shifting behaviors, creating a compelling, fully realized character than was neither fully good or fully bad.

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