Former ER Star Ming-Na Gives Birth

Former ER Star Ming-Na Gives Birth Former ER Star Ming-Na gave birth to her second child, a boy, on Wednesday afternoon, PEOPLE has learned exclusively.

“Mother and baby are doing great,” the actress’s husband, Eric Zee, tells PEOPLE.

Cooper Dominic Zee was born at 2:23 p.m. at St. John’s Hospital in Santa Monica, Calif. He weighed in at 8 lbs. 9 oz. Cooper joins his 4-year-old sister, Michaela.

Ming-Na, 41, played Dr. Deb Chen on ER, and this year she was cast on the NBC drama, Inconceivable, which was set in a fertility clinic. (The show has been pulled from NBC’s schedule.)

After signing on to the show, she found out she was expecting. “I threw them a curveball,” the actress told PEOPLE last month. “You know, I’m such a Method actor!”

Starz first series will be Crash

Cheadle HaggisStarz, the cable network, is getting into original production and their first project will be based on the 2005 Best Picture Oscar-winning film Crash. Glen Mazzara, whose credits include Life, The Shield, Stand-Off and Nash Bridges, has been named executive producer/showrunner for the drama series. Lionsgate TV will co-produce with Starz, and they’ve greenlighted 13 episodes.

The controversial film, which dealt with the intersecting lives of a myriad of people living in Los Angeles in just 48 hours, centers on the character of Detective Graham Waters. Waters, a police detective, is struggling with his career, his drug addict mother and a criminal brother. The role was played by Don Cheadle (Picket Fences), who was also one of the film’s producers. He is expected to reprise the part in the Starz production and may even direct a few episodes. In addition, director/co-writer/producer Paul Haggis and others from the film are also on board for Starz.

Mazzara is enthused about the project and has already been working on scripts. “I was very intrigued with the idea of doing a character-based drama set in Los Angeles that revolved around explosive moments in people’s lives that came out of seemingly mundane events,” he said.

With the variety of character introduced in the film, Crash would seem a very viable TV series. In fact, it might be better as a show because there is more time — whole episodes — which could be devoted to one story thread or another.

Haggis has been a big success in features, contributing scripts for Casino Royale, In the Valley of Elah and Million Dollar Baby, has been less so with his TV efforts. His last series was The Black Donnellys, an NBC drama that crashed and burned last year.

George Clooney Goes To The ER

George Clooney Goes To The ER

It’s always interesting when life imitates art that imitates life.  Ironically, George Clooney, who rose to fame during his tenure on NBC drama “ER”, ended up spending some time in the real life emergency room, himself.

The Ocean’s Thirteen stud landed himself and his new girlfriend, Fear Factor’s Sarah Larson, in the hospital after a nasty motorcycle crash in New Jersey.

The good news is that they were able to get in and out of the emergency room in about an hour, hence the injuries were not life-threatening.

The bad news is that Larson received a facial cut and some broken toes.  Clooney was treated for a hairline fracture to his rib and both of them had road rash. 

According to George’s rep, “George said he was driving to the right of a car when the other driver signaled for a left turn. All of a sudden, the driver changed his mind, turned right, and ran into George.”

But driver Albert Sciancalepore has a different take on the event.  “It was his fault. He was behind me making a right turn in a single lane and he tried to cut me off from my right side.”

And if police Sgt. Sean Kelly is right, then it may end up being the “O Brother Where Art Thou” actor’s fault.  “It’s a ‘he-said, she-said’ right now.  But you can’t pass on the right in Weehawken or anywhere in Jersey.”

According to a witness, Larson seemed to be the one most hurt in the crash.  “She seemed really hurt. She had a cut on her face.  He was saying, ‘It’ll be all right. Don’t move.’ He seems to really care about her.”

Ashley Judd Biography

Ashley Judd Biography.jpg

Described by her own mother as “an intellectual pinup”, Ashley Judd has portrayed a wide array of characters that possess a fierce determination coupled with an alluring sensuality. Whether she is playing a Southerner starting over (her breakthrough role in “Ruby in Paradise” 1993), a pre-fame Marilyn Monroe (HBO’s “Norma Jean & Marilyn” 1996) or a kidnap victim who managed to elude her captor (”Kiss the Girls” 1997), this actress delivers strong, beautiful, delicate and forthright performances that have impressed critics and audiences alike.

When her parents divorced, Judd was shuttled between California, Kentucky and Tennessee, attending 12 schools in 13 years. A bookish child, she developed an early interest in performing and, goaded by her older sister, opted to try her luck in Hollywood after completing college. Working as a hostess at the popular restaurant The Ivy, Judd made industry connections and within a year had begun to land stage and screen roles, perhaps most notably as Swoosie Kurtz’s troubled daughter Reed on the NBC drama “Sisters”. Judd, however, found the small screen role frustrating and negotiated an early release from her contract. The ambitious actress auditioned for the pivotal role of Christian Slater’s girlfriend in the comedy “Kuffs” (1992) but as she told Lawrence Grobel in Movieline (October 1997): she “thought they were boiling it down to a booby factor–choosing a pair of breasts.” Her agent suggested she pass and accept instead the smaller role of a woman in a paint store and her career began to take shape.

After her award-winning turn as the Tennessee heiress who sets out to find herself in Florida in “Ruby in Paradise”, Judd was cast as the sole survivor of a massacre who describes the traumatic event in detail in “Natural Born Killers” (1994). Because her emoting was accompanied by graphic flashbacks, the Motion Picture Association of America (MPAA) requested that director Oliver Stone cut the scene, deeming it too violent and disturbing. (Stone restored it for the 1996 “director’s cut” video release.) Judd continued to add to her gallery of supporting roles with a dramatic turn as Harvey Keitel’s junkie daughter in “Smoke” and Val Kilmer’s unfaithful wife in “Heat” (both 1995) and she brought what she could to the underwritten part of a lawyer’s spouse in “A Time to Kill” (1996). Faring better on the small screen, Judd displayed her intelligence and skill (as well as a considerable amount of flesh) as the younger incarnation of Marilyn Monroe in “Norma Jean and Marilyn”, which brought her an Emmy nomination. While “Normal Life” (1996) was originally intended for theatrical release, it was relegated to HBO. Nevertheless, it contained her disturbing, impassioned portrayal of an unhinged woman who drives her caring husband to a life of crime in order to satisfy her acquisitive nature.

In her first Hollywood lead, Judd was cast as a capable doctor who, having escaped from a kidnapper, agrees to help the police track down the criminal in “Kiss the Girls” (1997). Again, her native intelligence and striking beauty were used to good effect, even if the surrounding efforts were not top-drawer. The actress exhibited her sexy side as the local girl who falls for a drifter in “The Locusts” (also 1997) and offered a memorable, if relatively brief, turn as a single mother in the sentimental period drama “Simon Birch” (1998). Judd returned to thrillers as an innocent woman who, after serving time for murdering her abusive husband, discovers he was still alive in “Double Jeopardy” (1999) and a suspected serial killer tracked by Ewan McGregor in “Eye of the Beholder” (2000).

In 2001, Judd starred opposite Hugh Jackman as a betrayed woman who becomes obsessed with studying male behavior in the romantic-comedy feature “Someone Like You,” which did not ignite any special box office sparks. A return to form in the middlebrow thriller “High Crimes” (2002) as a high powered laywer stunned by her husband’s shocking past–opposite her “Kiss the Girls” co-star Morgan Freenan (though not a sequel)–also did little to advance the actress craft or audience pull, though she did provide some fire and flavor to her softer follow-up, the seriocomic “Divine Secrets of the Ya-Ya Sisterhood” (2002), playing the flashback version of Vivi, the highly strung Ellen Burstyn character. She was then cast as in a small but crucial supporting role as Tina Modotti in the story based on the life of Frida Kahlo, “Frida” (2002), as a favor to Judd’s longtime friend Salma Hayek. After a stint on Broadway in the role of Maggie in “Cat on a Hot Tin Roof” and a never-realized flirtation with the role of “Catwoman” (later played by Halle Berry), Judd returned to the big screen in 2004 as Linda Lee Porter, the devoted wife and muse to the great American composer/songwriter Cole Porter (Kevin Kline) in the elegant and sophisticated biopic “De-Lovely.”

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