Who’s replacing Tim Russert?
I’m sure a lot of you were scratching your heads over the weekend, wondering how Tim Russert’s passing merited the all-encompassing, presidential-like coverage it got, especially on his home network of NBC. He’s only a reporter, right? Why the wall-to-wall coverage? Well, first of all, it seems that by all accounts, Russert was one of the most well-liked people in the news business, so the outpouring might have been a function of people mourning a friend who was taken from them too soon. But, I have another, more off-beat theory as to why NBC did a broadcast version of sitting shiva for Russert: it was because they have no idea how to replace him.
Think about it: he wasn’t only the longtime moderator of Meet The Press, where he took the venerable show and rejiggered its format, making him the face of the show. He was also NBC News’ Washington bureau chief and the main political voice for the network. “It’s going to take four or five people to replace Tim,” CBS’ Bob Schieffer told The New York Times.
For now, though, the immediate question is who will replace him on Meet The Press. Speculation is already underway.
According to the Times article, as well as some others, a few names have popped up: White House correspondent David Gregory, MSNBC hosts Joe Scarborough, Keith Olbermann, and Chris Matthews, and Katie Couric (if she gets ousted from the CBS Evening News) are the biggest names on the list. Brian Williams and Tom Brokaw have been mentioned as temporary moderators that might help smooth the transition.
My choice would be David Gregory. He’s done a nice job substituting for Russert on MTP in the past, and past White House press secretaries can give chapter and verse about Gregory mixing it up with them during daily briefings. He’s a rising star on the network, and NBC might think that MTP would be a good vehicle to catapult him into superstar status. Finally, unlike Olbermann, Scarborough and Matthews, he’s more of a reporter and less of a pundit (even though he recently started hosting his own MSNBC show, Race to the White House), making him a less polarizing choice.
No matter who they choose to be the permanent moderator, there will likely be a rotating set of hosts for the time being, a group that will likely include Gregory and chief foreign affairs correspondent Andrea Mitchell. Brokaw doesn’t seem to be a bad choice for the transition, though; he’s tough but fair and carries the knowledge and experience someone like Gregory is just too young to have right now.
What do you folks think? Can you think of any better candidates? Let me know in the comments.
[via Mediabistro]
American Idol: Top 5 perform
(S07E35) Hey look, another mentor that’s a solid hundred years older than every single contestant. But Neil Diamond’s still a cool cat so I forgive him. Oh and what do you know? Neil has an album, Home Before Dark, coming out next week. I’m sure that’s just a coincidence. He really did the show because he enjoys it and truly wants to help the contestants. Not to promote an album. That Neil he’s a swell guy. Why don’t you drop by tonight and chat us up about it in our live chat?
Well, it was inevitably coming but I have to say that I’m disappointed that in the week in which the contestants start singing two songs a piece, they had to pull both from Neil Diamond’s catalog. This was an opportunity for the contestants to finally sing something without a theme behind it and give us an idea of what kind of singer and performer they see themselves as. Since we were robbed of that in the rounds up to the Top 12, I thought we’d get one Neil Diamond song and one contestant’s choice. But no, it’s Neil Diamond and Neil Diamond. To speed things up, the contestants …
Jason Castro
“Forever in Blue Jeans”
For his first song, Jason started out way too restrained for the first few lines but quickly settled into his mellow groove. Neil Diamond’s music is a good fit for the folksy intonations Jason uses in his performances. All in all, he did a nice job on this one.
Judges: The judges gave a quick run-down of the first round’s performances at once. Randy said this was better than last week but still just okay. Paula enjoyed his lower register and then reviewed his second song which he hadn’t performed yet. She later explained this off as saying she thought he’d performed twice already, and then that she was reading David Cook’s notes. What the hell was that? Simon came right out and said he didn’t like any of them. His one word review for Jason: forgettable.
“September Morn”
So, did the contestants listen to Simon and up the ante for their second song of the night? Well, the audience did their cool arm waving thing; can’t Simon tell them to knock that off? Jason again missed an opportunity to take his performance to the next level as we know he’s capable of. When he stood I thought he might find that magical place, but other than the fact that he was standing, there was no change in what he gave us. Ultimately it was a pretty dull and lackluster night for Jason. Somebody should have warned him that when you sing first you really need to do it well.
Judges: Again, it was just okay for Randy. Paula agreed with me that both performances were safe and in his comfort zone. Simon said that the Jason they initially put into the competition appears to be gone, as he did nothing to the songs to make them his own or make the performances special at all.
David Cook
“I’m Alive”
David, like Jason, brought his own guitar to the jam, only his was electric. Everyone has settled quite comfortably into their musical niche and David brought a rock vibe to this number. I wasn’t blown away by the vocals he presented here but, at the same time, there aren’t any specific complaints I can make about what he did. I guess I could just call it a very safe performance whereby he didn’t challenge himself at all.
Judges: Randy felt he was grooving in his zone. Paula never recovered from reviewing both of Jason’s songs before he’d sung the second. Simon’s two word review: above average.
“All I Really Need is You”
David went acoustic guitar on his second number. He gave us a little more vocally, and I enjoyed the intimacy of his performance. Then, as is usual with David, he rocked the song out a bit toward the middle. His voice was on pitch throughout and he treated us to a wide range of voice throughout, from tender to falsetto to raw, with that edge of rock. All in all, head and shoulders above his first song.
Judges: Again, Randy said he rocked the house and that he was a huge fan. Paula was proud of him and felt she was already looking at the American Idol. Simon said the first song was okay but the second was brilliant. He actually made the song feel like it was written this year, modifying the arrangement to make it sound current and relevant.
Brooke White
“I’m a Believer”
Brooke joined the guitar brigade at the start of the show, taking on a song that quite honestly rocked out a little more than she does. If the judges were commenting I think they’d say that she should be grateful she has a second song to come. And for some reason, the expressions she was making throughout came across as comically earnest rather than sincere. Man, I like Brooke, but if this is what she has to offer tonight she may be singing one of these again tomorrow night in farewell.
Judges: Brooke, too, was better than last week per Randy, but still a little karaoke. Paula was out of her gourd and didn’t review Brooke here. Simon’s one word review: nightmare.
“I Am I Said”
Brooke seated herself behind the piano for this number. Some of her best performances have come behind the comfort of the ivory keys so maybe she’d find herself again here. She tweaked the lyrics to speak about her own experiences, living in LA away from her Arizona home. Maybe doing so made the song speak to her in a very real way because her performance of it spoke to me. This was the Brooke that has wowed us in prior weeks and eluded us these past few. I’d say that performance spells trouble for Mr. Castro.
Judges: Randy told her that that Neil Diamond song is one of the tougher ones to sing, but nice job. Paula liked the piece for her vulnerability and the connection she made with the audience. Simon reiterated that he hated the first song but confirmed that this was the Brooke they liked. It was a million times better than the first song, if still not incredible.
David Archuleta
“Sweet Caroline”
It must be a night for rocky starts, because it took David a few words to find his own groove vocally. He found it quicker than Castro managed, but again I didn’t think he really did anything that challenged him. Maybe Neil’s songs don’t lend themselves to amazing performances, because there hadn’t been one to this point on the night yet.
Judges: Randy simply said that David was “da bomb!” Paula was probably thinking about his performance in the finals. Simon’s one word review: amateurish
“America”
Is it just me or does the emotional vibe that you get off of David the same for every song no matter what he sings? He’s got an impressive voice and is truly an amazing singer for his age, but I seem to get more that he’s trying to showcase his singing prowess rather than sell the story or message of the songs that he sings. You can commence slamming me in the comments now.
Judges: Randy said he was in the zone with another good performance. It was a perfect song choice for Paula. Just as Simon credited Kristy for singing “God Bless the USA,” he credited David with another clever and smart song choice to appeal to his audience, guaranteeing his place in the Top 4. Does he think Americans are so easy to manipulate? Are we?
Syesha Mercado
“Hello Again”
I think Syesha was Neil’s favorite as he had nothing but nice things to say about her command of his music and he wanted to hug her. Or maybe he just thinks she’s hot. I’d certainly hug her. Syesha put a little bit more into her opening performance than any of the other four finalists. There was a sincerity to her expressions and the way she emoted the lyrics. Maybe she just connected with the story of the song in a way the others didn’t. After the first round of songs, Syesha stood as the strongest on the night.
Judges: Randy thought it was strong but not amazing. Paula was restrained and given Valium. Simon’s one word review: old-fashioned.
“Thank the Lord for the Night Time”
Syesha was just adorable with the attitude she gave the opening of this number. She was clearly having a blast singing this number. I think Syesha may have made the smartest song selections on the night. She followed up her opener with this up-beat number to showcase her diversity. And, of course, her power and range was on display again here. She’s definitely got one of the strongest voices left in the competition. But does she have the support?
Judges: Randy thinks she’s finally realizing who she is, and he likes her in the genre and style of this number. Paula loved the vulnerable texture of her first song, and appreciated the theatrical showcase that this second piece gave us. For Simon, she demonstrated that she’s a very good actress/singer, but nevertheless thinks she may be in trouble tonight. He didn’t think she had a really memorable second song like some of the others. Maybe Simon said that to try and save her; you know how those psychological games of his garner sympathy votes.
Best of the Night
Syesha (both songs), David Cook and Brooke White (second songs only)
The Bottom Two
Jason Castro and Brooke White (should be, but I worry about Syesha)
Going Home
Jason Castro (at this point it’s almost impossible to say for certain as I have no idea what America’s voting for anymore, but Jason has consistently shown he’s falling behind the pack, and Brooke’s second number should be enough to buy her at least one more week)
How I Met Your Mother: Sandcastles in the Sand
(S03E16) Bless the peapickin’ little hearts of Carter Bays and Craig Thomas. All week, they’ve been setting us up, telling us about the return of Robin Sparkles, saying that we were going to get an episode full of eighties and nineties goodness, complete with James Van Der Beek, Tiffany, and Alan Thicke. We even got a video (full video is after the end of the review) as a taste.
But all of it was a ruse. A week-long ruse to distract us from realizing what was really going to happen in this episode. Since I don’t want to spoil it for anyone, come with me to the after-jump portion of our review and then we can talk.
Holy living crap! Barney and Robin finally hooked up!
We knew this was coming… kinda. There were always signs that the two of them had some sort of attraction to each other. Barney’s advances, as you’d expect, were obvious. But you saw Robin briefly consider going with Barn as recently as a couple of weeks ago, when he whispered in her ear and she giggled a ’no’ when asked if it affected her (Robin giggles when she lies). And, the two of them had shared that certain alpha-male temperament. So, this was inevitable. But… not this week, and not how it happened.
Yes, we’ve seen a sympathetic Barney before. And calling Robin the second most awesome person he’s ever known (besides the person in the mirror) is one of the most sympathetic things I’ve ever heard Barney say. But when they go back to Robin’s place and he nervously asked if he could “put it in,” we all knew he was talking about the video. So even that obvious gag was a diversion, because after they watched “Sandcastles in the Sand” over and over, making jokes about how it could be a tampon commercial if it was recut properly, all of a sudden, they’re all over each other. And all seems right with the universe. Nice job, Carter and Craig>
The rest of the episode had its moments, but it was only OK. I get the concept of “Revertigo,” even if Ted doesn’t accept the catchy name Marshall gave it. I mean, I act like a dopey college kid when I see my college friends, so it’s not like the idea isn’t universal. The funniest case of revertigo was Lily’s; she talks street when she’s around her friend Michelle. The funny thing is, Michelle, who’s in the middle of her dissertation at Columbia, also has revertigo, as Lily brings the “you go, girlfriend” out of her too. Who knew?
Van Der Beek plays a pretty good loser, doesn’t he? Balding, chubby, really into his band and water slide job (which Marshall would have envied if the park had a wave pool). It was odd to see Robin, the gal who seems to have her act together most of the time, melt in the presence of this goober. But it was also pretty funny, especially when she was twirling her hair and acting all silly in his presence. She even lugged all his instruments back to that crappy wood-paneled van, just like she did in the nineties. But she lost out Louise Marsh again… there’s no way she can get a “Jacuzze” in that apartment; it’s just too small.
More fun stuff:
- Robin playing Simon’s song “Murder Train” over the Puppy Corner segment. At least it led to more adoptions…
- M&L taking the role of Robin’s parents, complete with Robin threatening to “go all the way” with Simon.
- The series of Canadian jokes, most of which we didn’t hear because Old Ted fast-forwarded through most of them. Barney asking “did you give him the ’O, Canada’ face?” is the Best Barneyism of the week.
- Though Lily’s line that “he’s not that Inuit” was probably the best one.
- Simon’s band was named The Foreskins… because there are four of them and they play shirtless. It was a very groinal night on CBS, by the way; I heard the word “balls” twice within the span of three minutes as Two and a Half Men ended and Rules of Engagement started.
- “He’s red province! He’s from the deep North!” God, I love this show’s Canada jokes.
- Since Cobie Smulders is from Vancouver, her cartoonish Canadian accent from her youth sounds believable. Van Der Beek, who was born in Connecticut, sounded like a bad version of the McKenzie Brothers.
- “Summer in Canada is like the last week of July,” according to Robin. It leads to a lot of short relationships.
Of course, we can go over the video — Robin Sparkles’ “big artistic follow-up” to “Let’s Go to the Mall” — but that might be a whole post by itself, between the reference to traveling the world from “Alberta to Ontario” to the fact that it was the “best week and a half of my life.” It was the funniest part of the episode, but in light of what happened at the end, seems pretty insignificant now.
Like I said, it wasn’t a great episode, but the story advancement was significant enough that it deserves a pass from HIMYM fans. So, what do you folks think? Do Robin and Barney have a future together? Let me know in the comments.
Coca-Cola: “Dueling Parade Balloons”
On a cool Thanksgiving morning old (Underdog) and new (Stewie from Family Guy) parade balloons battle it out for a inflatable bottle of Coca-Cola. As they cross the skyline of New York City fists fly and heads are butted. But, in the end, neither is the one who claims the prize. That honor goes to the honorable Charlie Brown, who seems to have finally won something in his life.
This was a cute and gentle commercial by Cola-Cola, which rarely disappoints when it comes to Super Bowl ads. I never realized that the Underdog and Stewie Thanksgiving Day balloons had such angry looks on their faces. That was an advantage in this commercial as we saw the two balloons battling it out. I enjoyed when Underdog slammed Stewie against the building. Nice job overall.