How I Met Your Mother: Aldrin Justice

How I Met Your Mother(S02E06) Sometimes having guest stars on your sitcom is a boon; seeing well-known actors or other celebrities mix with the established cast is great to watch and makes the episode memorable. But a lot of other times, bringing in a guest star dampens the chemistry of that established cast and slows down the comedic flow of the show, almost bringing it to screeching halt.

This week’s HIMYM episode has two guest stars: Bryan Cranston as Ted’s touchy boss, and Jane Seymour as Marshall’s testy law professor. And, in this case, one guest star gave us a good result and the other gave us a bad one. I’ll tell you who’s who after the jump. You might be surprised at who I thought was the chemistry killer.

OK, I’m not going to keep you in suspense. I really like Bryan Cranston — he was great on Malcolm in the Middle, and who can forget his Seinfeld appearances as Tim Whatley — but he was kind of wasted here as Mr. Druthers, Ted’s mean boss.

Yes, he’s supposed to be playing a tense, half-looney architectural genius who just can’t see that the building he designed for a Spokane bank looks like a big ol’ willie. And Lilly using her kindergarten teaching skills to show him a lesson — she steals his “Pete Rose Pete Rose Pete Rose” ball because he was mean — was pretty funny. And I like seeing a little more of Ted’s job, which we saw none of last year. But the beauty of the show is the interaction of its five main characters, and for some reason, throwing a standard mean boss character in the mix disrupted that delicate balance.

However, it did give us a chance to a) find out how Ted got to design that building in Spokane, b) gave us a chance to see Charles Robinson (Mac from Night Court), even if he just came on to say, “This is a penis!”, and c) helped coin the phrase “justice khakis.”

Craig and Carter keep finding ways to keep Lilly in the mix. And now we see that she and Marshall can hang out and not get all emotional. Heck, he even took a Polaroid of her when they saw her as a waitress at that luau restaurant.

Seymour worked a lot better, mainly because she was there to finally challenge Barney emotionally. Heh, did I say emotionally? I meant sexually… he tries to seduce her so she can ease up on Marshall’s class and just can’t keep up with her. She grades him, giving him a C-minus the first time, professorily chiding him how unprepared he was. But he keeps trying, bless his heart — I liked seeing him chug a six-pack of Red Bull as he goes to her apartment for the third time. When she finally gives him (and Marshall) a B-plus, it’s at the cost of a dislocated hip. On Barney.

But the Best Barneyism this week is not his definition of “a cougar,” which is a term I’ve heard before for an older sexy woman who’s on the prowl. No, it’s how he stalks the professor at the beginning of the episode, peering through the fern in the hall like it’s a jungle thicket, giving Marshall the characteristics of the cougar as if he was on a nature show: The hair, the blouse, the claws…

Finally, we have the final collection of “building related” jokes this week:
- Ted’s boss is just being testy.
- He’s just being a bit crotchety.
- Don’t be so hard on him.
- Don’t blow it.
- The building rising out of the brunette trees.
- The building is so bold it’ll slap you in the face.

Not bad for an 8:00 show, huh?

Anyway, not the best HIMYM episode of the year, but it had its moments. Let’s hope the next set of guest stars do a little better.

House producer heading to Court K

Paul AttanasioPaul Attanasio, House executive producer, has conjured up a legal drama for Fox. The network greenlighted a one-hour pilot, Court K, which is set in Milwaukee and involves a judge, a prosecutor and a public defender. Just because it’s set in Milwaukee, don’t expect to see Laverne and Shirley.

Like House is not your typical medical drama, Court K will not be a typical lawyer show, not that Boston Legal is typical, but you know what I mean. Court K is reportedly a lot grittier, with sardonic, dark comic elements. We’ll have to see if any of the principals are hooked on Vicodan. I wonder if it’ll remind me of the movie …And Justice For All, which was also a dark comic look at a Baltimore courthouse. But then, wasn’t that Night Court, too?

Attanasio is an interesting and prolific writer. He was once the film critic for the Washington Post before breaking into movies by writing the screenplay for Robert Redford’s Quiz Show in 1985. He won an Oscar nomination for that script, and another for Donnie Brasco in 1998. On TV, though, he really made his mark writing for Homicide: Life on the Streets and Gideon’s Crossing — so you could say he and Andre Braugher had a good thing going.

In 2006, he split his time producing House by writing the screenplay for The Good German, but even George Clooney couldn’t make that picture watchable.

TV Obits: Buckley, Tilley, Smith, Levin

William F. Buckley, Jr

A roundup of TV people from in front of the camera and behind the scenes who have passed away.

Teri Hatcher Biography

Teri Hatcher.jpg

A lithe, attractive Hollywood leading woman, Hatcher gained attention and good notices for her portrayal of a very modern Lois Lane in ABC’s “Lois & Clark: The New Adventures of Superman” (1993-97). She began her professional career as a dancer in San Francisco, and was soon doing commercials and hoofing as a “Love Boat” mermaid on the last season (ABC, 1985-86) of that aqueous anthology series. That same year, she made her TV acting debut as Penny Parker in an episode of “MacGyver”, a role that later became a recurring character (ABC, 1986-90). She also has popped up as a guest-star on such TV series as “Quantum Leap”, “Tales from the Crypt”, “Murphy Brown”, “Night Court”, “L.A. Law” and “Seinfeld” (as Jerry’s well-endowed date whose much-debated breasts are revealed to be “real…and spectacular”).

Hatcher made her feature film debut in the comedy “The Big Picture”, then went into drama as Sylvester Stallone’s love interest in “Tango and Cash” (both 1989). She returned to comedy with a small but pivotal role in “Soapdish” (1991) and co-starred with Dolly Parton and James Woods in “Straight Talk” (1992). Hatcher had little luck with series TV at first, appearing in the failed Patty Duke sitcom “Karen’s Song” (Fox, 1987) and as Robert Loggia’s young bride in Norman Lear’s “Sunday Dinner” (CBS, 1991). She also appeared in pilots for “Baby on Board” (CBS, 1988) and “The Brotherhood” (ABC, 1991) and co-starred in the thriller “Dead in the Water” (USA, 1991).

In 1993, Hatcher won the star-making part in “Lois and Clark”. Since its premiere, she’s appeared in several features (some filmed before her show first aired), including “Brain Smasher. . .A Love Story” (1993), “All Tied Up” (1994), opposite Alec Baldwin in the thriller “Heaven’s Prisoners” and in John Herzfeld’s crime drama “2 Days in the Valley” (both 1996). Hatcher subsequently co-starred in David Schwimmer’s “Since You’ve Been Gone” (1997), about a high school reunion, and was cast in the James Bond film “Tomorrow Never Dies” (1997) as Paris Carver, a mysterious woman from 007’s past now married to his nemesis. Hatcher’s attentions were diverted to the theater when she appeared to good effect as Sally Bowles in the touring company of the 1996 revival production of the Kander & Ebb musical “Cabaret” while staying in the public consciousness in a ubiquitous string of long-running Radio Shack commercials opposite NFL great Howie Long beginning in 1999.

More features–”Fever” (1999), “Spy Kids” (2001), “The Chester Story” (2003)—and telepics—”Running Mates” (2000), “Jane Doe” (2002), “Say Uncle” (2001)—followed before Hatcher made her return to primetime network series TV in the compelling, unique suburban black comedy, “Desperate Housewives” (ABC, 2004 - ), playing Susan Mayer, the neighborhood’s romance-minded single mom. Four out of five desperate housewives were nominated for Golden Globe Awards in 2005—Eva Longoria was the only one snubbed—but it was Hatcher who came away with the award for Best Actress in a Musical or Comedy.

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