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TomKat’s Broadway Date Night

TomKat’s Broadway Date Night

Continuing to make the most of their trip to New York City, Tom Cruise and Katie Holmes had an eventful Saturday night in the Big Apple.

Striding around in a killer pair of Christian Louboutin heels, Katie, along with her Top Gun hubby, attended the Broadway play “The Country Girl” at the Bernard B Jacobs Theatre. The Hollywood supercouple also grabbed a bite to eat with Jerry Seinfeld’s wife, Jessica.

Upon returning back to their hotel, Katie rested a supportive hand on her husband’s back as he signed autographs for fans.

A source on the scene tells: “TomKat then listened intently to a hotel guest who shared a personal tragedy with the couple. As they finally entered their hotel having promised to do what they could to help the guest, even the doorman wanted the pair to stop for a chat before they could retire for the night!”

Tori Amos Biography

Tori Amos (born Myra Ellen Amos on August 22, 1963) is an American singer, pianist and songwriter. Tackling a wide range of subjects, including sexuality, religion, patriarchy and personal tragedy, she has built a devoted following. She is probably best known to the wider public for a dance remix of “Professional Widow”, her sole single to reach #1 on the European Billboard charts. Classically trained, Amos’ voice and mostly piano-based music has frequently been compared to that of Kate Bush.

She was born Myra Ellen Amos (called Ellen) to Dr. Edison & Mary Ellen Amos on August 22, 1963 during a trip from their home in Georgetown to North Carolina, at the Old Catawba Hospital in Newton, N.C. When Amos was 2½, her family moved to Baltimore, Maryland where she began to play the piano and attend her father’s church every week. By age 5, she had written her first song. During these years, she spent formative time with her maternal grandfather, who was “part Eastern Cherokee” (an Eastern Cherokee with some European ancestry). In 1968, she was given a full scholarship to the Peabody Conservatory of Music, which she was the youngest person ever to attend. At age 11, her scholarship was discontinued due to the growing influence on her of popular music. Two years later, she began studying at Montgomery College and began playing at piano bars, many of them gay, chaperoned by her father. Reverend Amos began sending tapes of the songs she’d written to record companies at this time. She first came to local notice by winning a county Teen Talent contest, and her picture was published in a local paper. The song she sang was called More than Just a Friend. By the time she reached high school, she was well known in the DC area. During her years at Richard Montgomery High School, she was elected Homecoming Queen and became involved with the drama group. As a high school senior, Ellen Amos co-wrote Baltimore with her brother Mike for a competition involving the Baltimore Orioles. This song became her first single, and was released as a 7″ pressed for family and friends. At around this time she adopted the name “Tori.”

At age 21, Tori Amos moved to Los Angeles to pursue her music career. While there she managed to get several acting jobs, including a Kellogg’s Just Right cereal commercial (for which role she beat out a then-unknown Sarah Jessica Parker ). After playing a bar one night, she gave a ride home to a patron, who sexually assaulted her – an experience that would feed into her influential song “Me And A Gun”. She also met Steve Caton, who played guitars on her albums through To Venus and Back (1999). In 1985, Amos formed Y Kant Tori Read – the name a reference to Amos’s facility with playing by ear at Peabody and her difficulty with playing from sheet music – with Caton, Matt Sorum (later of the Cult and Guns N’ Roses), and Brad Cobb. A year later, Atlantic Records gave Amos a 6 record contract. In 1988, her debut album Y Kant Tori Read was released and was panned by critics. Amos was devastated, and started working with other artists (including Stan Ridgway of Wall of Voodoo, Sandra Bernhard and Al Stewart) as a backup vocalist. She also recorded a song called “Distant Storm” for the film China O’Brien; in the credits, the song is attributed to a band called “Tess Makes Good” with “additional vocals by Ellen Amos”.

 

Atlantic Records told Amos that she had to produce another record by March 1990. When she presented them with her initial recordings, they were rejected on the grounds that the “girl and a piano thing” wasn’t going to sell. Extensively re-worked and expanded with the help of Steve Caton, Eric Rosse, Will MacGregor, Carlo Nuccio, and Dan Nebenzal, the record ended up full of raw, emotive songs recounting her religious upbringing, sexual awakening, struggle to establish her identity, and her rape. The Atlantic executives changed their minds upon hearing the edited version, and relocated Tori to England to launch the “new” album, which was released under the title Little Earthquakes. Atlantic’s European counterpart, East West, worked hard to promote the record. It was trailed by a promotional single featuring the raw, emotional, unaccompanied desolation of “Me and a Gun”, which received considerable critical attention. When the album was released in the UK, it went straight to #1. A month later, it was released in America to breakthrough critical success. The accompanying singles were “Me and a Gun”, “Silent All These Years”, “China“, “Winter” and “Crucify”.

After touring throughout 1992 in support of Little Earthquakes, Amos went to New Mexico to write her second solo record, Under the Pink. It debuted at #1 in the UK and #12 in the US charts on its release in January 1994. It disappointed some critics, however, who considered it a step sideways rather than forwards from Little Earthquakes. In February, she began the “Under the Pink” tour. Four tracks were released as singles: “God”, “Cornflake Girl” (a #4 single in the UK), “Pretty Good Year” and “Past the Mission”, which featured the vocal contribution of Trent Reznor of Nine Inch Nails.

In June, 1994, Amos co-founded RAINN, The Rape Abuse and Incest National Network. RAINN is a toll-free help line in the US which connects callers with their local rape crisis center. In 1995, Amos, duetting with Robert Plant, contributed the song “Down by the Seaside” to the Led Zeppelin tribute album Encomium.

Soon after the “Under the Pink” tour, Amos released her third solo album, Boys for Pele. Substantially longer than the first two albums, it garnered mixed reviews. Some thought it contained some of her best work to date; others thought the length added little but filler material. The accompanying tour was known as the “Dew Drop Inn” tour. The single “Caught A Lite Sneeze” was a hit in the UK, and the Armand Van Helden remix of “Professional Widow” became a massive club hit.

Her fourth solo album, From the Choirgirl Hotel, was released in 1998. A departure from earlier records, it was much more lavishly produced and featured arrangements which expanded considerably on her core piano sound. Again reviews were mixed, but the album was generally feted by Amos’ fans. The accompanying tour was known as the “Plugged ‘98″ tour. Another tour followed in 1999, the “Five and a Half Weeks” tour with Alanis Morissette.

Next, Amos planned to release a live album. She decided to write a small amount of new material to be included as a bonus disc on some releases; ultimately, however, she produced a double album’s worth of material which was released in 2000 under the title To Venus and Back. The album included a live disc as well as a disc of new studio material. This was sparser both in production and arrangement than From the Choirgirl Hotel, but like that album featured overt dance music influences and a relatively subdued piano sound. Its closing track “1000 Oceans” was much closer in spirit to her early songs, and quickly became a fan favourite and a live fixture.

Amos took a break from both touring and writing in 2000, and returned in 2001 with Strange Little Girls, an album of cover versions of songs written by men about women. This time, the reviews were quite uniform: most critics saw the album as a mixed bag, praising the unlikely reworkings of Eminem’s “97′ Bonnie and Clyde” and Slayer’s “Raining Blood”, but panning the sprawling, messy version of John Lennon’s cryptic “Happiness is a Warm Gun” and the rocky, fuzzy version of Neil Young’s “Heart of Gold”. The accompanying “StrangeLittleTour”, Amos’ first solo tour since 1994, was acclaimed particularly for its solo renditions of Boys For Pele, From The Choirgirl Hotel and To Venus and Back material.

In 2002 Amos released her eighth major label release, Scarlet’s Walk. Described as a “sonic novel”, the 18 track album proved to be a landmark for a variety of reasons. Stylistically, Amos put drums and bass guitar at the forefront, using her piano playing as an accent rather than a highlight. Thematically, the album explored Amos’ alter ego Scarlet and her cross-America trip post-September 11, 2001. Through the songs, Amos explores the history of America, the American people, Native American history, pornography, masochism, homophobia and misogyny. The first single, “A Sorta Fairytale”, was a top 10 hit in the US. It was also released in the UK with a B-side entitled “Operation Peter Pan”.

The second single, “Taxi Ride”, was an homage to the late make-up artist Kevyn Aucoin, a gay friend of Amos’. A contest was held online to create a music video for the song, and it reached the top 20 in the US. The third single, “Strange”, was remixed with a country and western feel and became another radio staple.

In an attempt to prevent Internet trading of the album, Amos, in conjunction with her husband and crew, invented a special kind of glue to bind closed portable CD players containing the album. These were then distributed to the press on the understanding that they would be returned within forty-eight hours. If an attempt was made to open the player, both it and the disc inside would shatter. The success of this attempt was so great that the record industry began to follow suit.

As an additional incentive to buy the album rather than download its contents illicitly, the CD also served as a key to access “Scarlet’s Web”, a web site which featured several songs (”Tombigbee”, “Seaside”, “Mountain”) as well as various photographs and journal entries that were not available elsewhere.

In 2003 Amos released a greatest hits album, Tales of a Librarian. Following in the footsteps of artists such as Björk, rather than compiling hit singles and tossing them into a generic hits package, Amos chose instead to rerecord many of her own favourite songs from a career spanning over a decade, focusing on those that she thought were not fully realised in their original recordings. With the addition of two new songs, the album featured what was effectively mostly new material even if the songs had been released previously in different versions.

In 2004 Amos released a DVD/CD set called Welcome to Sunny Florida. The DVD featured a full length live performance from her 2003 “On Scarlet’s Walk” tour; the CD compiled several previously Internet-exclusive B-sides from Scarlet’s Walk with some new tracks on a bonus disc entitled “Scarlet’s Hidden Treasures”.

In late February of 2005, Amos plans to release her next album, a collection of original songs featuring both the piano and organ, as well as her usual band (Matt on drums, etc.). Announced song titles include: “Sweet the Sting”, “Sleeps with Butterflies” and “Ribbons Undone”. “Sleeps With Butterflies” is to be the first single from The Beekeeper.

Complete Tracklisting: Parasol Sweet the Sting The Power of Orange Knickers Jamaica Inn Barons of Suburbia Sleeps with Butterflies General Joy Mother Revolution Ribbons Undone Cars and Guitars Witness Original Sinsuality Ireland The Beekeeper Martha’s Foolish Ginger Hoochie Woman Goodbye Pisces Marys of the Sea Toast

Tori says, “The Beekeeper is musically inspired by the fact that the piano has realized that she has an organ - with my right hand on her organ and my left hand on her piano keys, I have been changed by the relationship between these two beautiful creatures, the Bosendorfer piano and the B3 Hammond organ.”

The Special Edition with Bonus DVD includes The Beekeeper: A Walk Through the Gardens, over 25 minutes of interview footage as Tori talks about the songs and their origins as well as a unique glimpse behind the scenes at the photo shoot for The Beekeeper. The Bonus DVD also features the bonus track Garlands set to exclusive content from Tori’s book, Piece by Piece, including photographs and text.

The limited edition package groups the 19 songs into 6 different gardens: Roses and Thorns, Herbs and Elixers, The Desert Garden, The Greenhouse, The Orchard and The Rock Garden. The Special Packaging also includes a seed packet with a wild flower mix prepared especially for The Beekeeper, to compliment this garden theme.

Amos’ acting has been limited to fringe performances. She has long been asked to audition for roles, notably the female lead in The Crow: City of Angels. She appeared in the telesoap Trial by Jury in 1987 as a woman who was accused of killing her married lover. Also in the late 1980s she appeared in a television commercial for Kellogg’s Just Right, a breakfast cereal. Most of her contributions to cinema have been musical. In 1998 she coordinated the soundtrack of the film version of Great Expectations, weaving breathy, ethereal vocals through the film’s background. She made her first character appearance in the 2004 film Mona Lisa Smile as a big-band singer.

A number of factors contribute to Amos’ underground appeal: she is very popular amongst underground remixers, as well as the gay and lesbian community; in addition her songs have been covered by a number of artists including Faye Wong and Voltaire. Some are attracted to her unconventional musical style and her profound and emotional lyrics.

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