Movie Review: Nancy Drew

Nancy DrewIn this post-Veronica Mars world, I was immediately drawn to Nancy Drew hoping to fill the now empty void. And as you might expect, the family comedy adaptation of the classic kids novel was not exactly what I was craving or even expecting. But that’s not a bad thing because Nancy Drew is one of the funnest family film I’ve seen in years, aside from may-be the Pixar flicks. Unlike other modern day teen adaptations, it doesn’t try to be “too-cool-for-school”, jam packing a soundtrack with hip new cover songs, and a cast of good looking model-level kids. Nancy Drew attempts to bring the crazy and absurd fun tone of the books on to the big screen, without dumbing it down, and without losing the good qualities in an attempt to make it more accessible to the target audience.

Nancy Drew and hew Batman-like purse of gadgets travel to Los Angeles to solve the mystery of movie star that disappeared 25 years ago. Drew is a modern day kid with the fashion and style of old, stuck in a world of ipods and cellphones. Running away from mysterious bad guys, defusing bombs without driving over the speed limit, Drew is Veronica Mars meets MacGyver without the sarcasm.

Director Andrew Fleming’s 1999 Watergate comedy Dick is underrated and unfortunately forgotten. Nancy Drew has the same unbelievable over the top tone that made that film so fun to watch. Emma Roberts is the next Anne Hathaway, and will surely find a career in Hollywood. Although I hope that enough people see this film to warrant a sequel. Nancy Drew deserves to be made into a franchise, either that or a television show. Or am I still trying to fill the Veronica void?

Rating: 7 out of 10

Movie Review: Because I Said So

Because I Said So

Returning from Sundance is a shocking experience. For almost two weeks I got to see some of the best that independent cinema has to offer. And there were quite a few films this year I did not like. Because I Said So makes me think I may have been a little too hard on some of those films. I forgot what lows a Hollywood effort could reach.

And let me preface this by saying that I actually love Romantic Comedies. My friends chastise me, but it’s true. I also believe in the young woman named Mandy Moore. She glows on screen and has proven herself as an actress in many teen efforts. But even Mandy wasn’t enough to make Because I Said So watch-able. I wonder what the target audience of this film is. It seems to me that only a post mid-life crisis woman could possibly enjoy this film.

Diane Keaton plays an old single mother named Daphne, who can’t keep herself from meddling in her daughter’s non-existent love life. Mandy Moore plays Milly, a young woman who has the worst luck in the romance department. And we’re supposed to believe that someone who looks like Mandy Moore can’t find a faithful guy (yeah right). Daphne writes a personal ad in hopes of finding a good man for her daughter, and sets her up unknowingly. Milly suddenly becomes involved with two men, and she is unsure of which one she likes more. And we all know that the guys will eventually find out about each other, and Milly will eventually discover her Mother’s set-up. Havoc will ensure, everyone will have words. But fear not, in the end we’ll have a formulaic Jerry Maguire moment where the guy she wanted takes her back after a big fight in an impromptu group scene. Barf.

Because I Said So is filled to the brim with cliche sequences where women hang out and chat about life. Sometimes they are at the spa, sometimes they go shopping. Karen Leigh Hopkins’ sharp dialogue screams out “look at me, I’m so cute and clever.” Every scene is a movie cliche. If someone carries in a cake, you know where it’s going to end up.

A scene where Moore and Keaton discuss orgasms (do Mother and daughter really talk like this to each other?) is more disgusting than funny. Because I Said So should be avoided at all costs.

Directed by: Michael Lehmann
Written by: Karen Leigh Hopkins, Jessie Nelson
Starring: Diane Keaton, Mandy Moore, Gabriel Macht, Tom Everett Scott, Lauren Graham
Genres: Romantic Comedy (or so they claim)
MPAA Rating: PG-13 for sexual content including dialogue, some mature thematic material and partial nudity.

Could We Be Sayin’ C-YA To The CW?

Gossip GirlThe fledgling network isn’t doing so hot! According to recent reports, viewership for The CW has DROPPED almost 22% in the last year alone. NOT GOOD!

The home of new hit “Gossip Girl” is in some SERIOUS trouble, and it needs your help! Stop spending so much time on the internet and watch more TV…

Not likely!

18 to 34 year olds, the network’s target audience, is down about 28% this season. We’re the reason why The CW was supposed to be destined for advertising greatness, because The Boys With Money like to spend the big bucks trying to get us to buy their shiz.

Advertisers eager to reach a young demographic initially clamored to sign on to the CW, but have since cooled to the network. Steven Kalb, director of broadcast media for media-buying firm MediaHub, owned by Interpublic Group, says there were high hopes for the network when last year’s lineup was unveiled. Now, he says, “It has collapsed.”

The network has another year to see if it can gain back some of its audience. If not, rumor has it that one of the network’s partners–either CBS Corp. or Time Warner–is going to walk away from the joint venture. It’s only been two years, guys!

With only three new shows set to air next season, including the “Beverly Hills, 90210″ 2.0 remake, UNcreatively titled “90210″, “Surviving the Filthy Rich,” a drama about rich kids in Palm Beach, and the reality show “Stylista”–all of which are trying to capitalize off of Girl’s success–it’s not looking good.

Well, even if The CW fails, I’m sure another network wouldn’t mind buying that cash cow!

Good luck next season… you’re going to need it!

Kim Delaney Biography

Kim Delaney.jpg

A willowy brunette who segued from soap star to primetime performer, Kim Delaney began her career as a model while still attending high school in her native Philadelphia, Pennsylvania. After graduating, she headed to NYC to try her hand at a career and was signed by the prestigious Elite Modeling Agency. Soon, her face was decorating the covers of such popular magazines as Seventeen and Glamour. At the same time, Delaney was training for a crossover career in acting, studying with well-known NYC teacher William Esper. Her determination paid off when she landed the role of the virginal teen heroine Jenny Gardner on the long-running ABC daytime serial “All My Children” in 1981. Over the course of her three years on the show, her character, who was from the wrong side of the tracks, underwent numerous trials as she attempted to hook up with her true love, the all-American Greg Nelson (portrayed by Laurence Lau).

Not one to stay put for very long, Delaney was chafing under the confines of her contract and the rigors of working in daytime. Although she had appeared in the CBS movie “First Affair” in 1983 and earned a Daytime Emmy nod, the actress opted to walk away from “All My Children” while her character was at the height of her popularity. When Jenny was killed by a deranged stalker, fans mourned, but Delaney had already set her sights on feature films.

Delaney made an auspicious debut in Hollywood as the girl who comes between friends Emilio Estevez and Craig Sheffer in the teen drama “That Was Then … This Is Now” (1985) but the film proved only modestly intriguing to its target audience. Having been raised Catholic, it was perhaps not much of a stretch for her to play a nun in “The Delta Force” (1986; interestingly, her ex-husband Charles Grant also acted in the film). Like a lot of actresses, though, she had a hard time finding juicy roles, instead relegated to genre fare like the college comedy “Campus Man” (1987). Delaney did land one intriguing part, that of a woman who picks up a hitchhiker and after a night of passion, finds herself unable to be rid of him in the low-budget thriller “The Drifter” (1988).

Returning to the small screen, Delaney landed a 1987 recurring role on the hit NBC series “L.A. Law” in the first four episodes of the show’s second season. Several unexceptional TV-movies followed before the actress co-starred with Joe Cortese (who would become her second husband) in the NBC sci-fi miniseries “Something Is Out There” in 1988. The following year, she was hired for the recurring role of journalist Alex Devlin in the Vietnam-set drama “Tour of Duty” but left the series when she became pregnant with her son.

After time out for motherhood, Delaney was again cast as a reporter, this time one on the trail of a undercover agent suspected of murder in the short-lived spy drama “The Fifth Corner” (NBC, 1992). She offered a strong performance opposite Jimmy Smits in the based-on-fact drama “The Broken Cord” (ABC, 1992), about a couple who adopt a Native American child born with Fetal Alcohol Syndrome. She rounded out that year cast in the title role in the NBC miniseries adaptation of “Jackie Collins’ Lady Boss”.

Delaney then got sidetracked in number of subpar projects (like 1994’s direct-to-video “Temptress” and “Darkman II: The Return of Durant”). She caught a break landing the role of alcoholic cop Diane Russell in a four-episode arc on “NYPD Blue” in 1995. Again cast opposite Smits (as Det. Bobby Simone), the actress sizzled in the part and the producers made overtures to the actress to have the character return on a regular basis. While Delaney had been prone to walking away from success in the past, she made the commitment and joined the permanent cast of the popular police drama in the fall of 1995. Over the course of her six-year run on the drama, Russell coped with her relationship with Simone, his untimely death and other troubles. In 1997, she received the Emmy Award as Outstanding Supporting Actress in a Drama Series. While working on the show, she managed to find time to appear in several telefilms, including “The Devil’s Child” (ABC, 1997), a spin on “Rosemary’s Baby” that marked her debut as a producer.

Producer Steven Bochco recognized that Delaney’s talents weren’t always being given a proper forum in an ensemble-driven series like “NYPD Blue”, so when she opted to leave at the end of her contract in 2001, he created the ABC legal drama “Philly” expressly for her. The role Bochco wrote was a dream part for any actress — a divorced woman juggling raising a son as well as maintaining a high-powered law practice. Delaney tore into her first series lead and proved more than capable of carrying a drama series. In 2002, she co-starred with David Caruso in the CBS crime series “CSI: Miami.”

Family
Significant Others
Education
Milestones