Veronica Mars meets Weevil — on Heroes?
We Veronica Mars fans take whatever bones the TV world will throw at us. We mourn the loss of the well-written female super-sleuth series, and we’ve been kicked while we are down with the cancellation of Moonlight, where we at least got to see Jason Dohring every week. Could there be a little love coming for the VM fans?
If you watch Heroes, you could be in for a real treat this fall, when Francis Capra, of Weevil fame, joins the cast alongside former Veronica Mars star Kristen Bell.
We don’t know much about Capra’s role except that his name is Jesse and he will be evil. Weevil playing evil — a rhyme I just had to make and a role I’m looking forward to seeing. Even though I don’t watch Heroes, I’ll tune in to see what Capra’s got for us.
So, VM fans, enjoy the reunion of Veronica and Weevil this fall, and try not to let that bothersome Heroes story line get in the way of the VM nostalgia.
Reality shows are facing budget cuts?
Your scary thought of the day comes from this Reuters article. When talking about how many reality shows are now facing pressure to cut budgets and shoot shows faster they drop this bomb in, “The rapid pace can affect a show’s quality…” Great! Because what the TV world really needs right now is some lower quality reality programming. I get Fox Reality. Based on some of what I’ve seen while flipping by there, I really thought the bottom of that barrel had been discovered.
As part of the discussion they cite the rise in studio based reality, highlighting Fox’s Moment Of Truth. They also throw out that crappy stat that it was the highest-rated new program of the season. Is there anyone, anywhere, including the producers of Moment Of Truth, that doesn’t think that was entirely to do with American Idol? I’m crossing my fingers and hoping that when the Tuesday ratings are in they bring with them a karmic Nielsen slap that puts that show in its proper place.
Dr. Sara comes back to Prison Break?
Prison Break fans, you better sit down for this, especially if you were a Sara/Michael ’shipper. According to E!’s gossip columnist Kristin Dos Santos and TV Guide’s Michael Ausiello, actress Sarah Wayne Callies will be back as a series regular for season 4 of FOX’s Prison Break! No need to check your computer monitor, you read right: Dr. Sara Tancredi could very well be alive!
The actress left the show at the end of the second season. She officially appeared in one episode last season (a body double was used in the first episodes of the season) during a scene set in the past, since her character was beheaded in episode 3.03.
How the writers will write the character back in is unknown, especially since it was made rather clear that it was Sara’s head in the box Lincoln received. Then again, if Charles Widmore was able to fake Flight 815 and its passengers on Lost, it must have been rather easy for Susan to get a believable fake head made. Plus, it’s not like Lincoln had a DNA test performed on the head. He saw something that looked 100% like the real thing, so he closed the box and accepted the death as fact.
If Tancredi does come back, it’s clear that they’ll say Susan faked Sara’s death so that Michael would do what he needed to do, to give him the ultimate reason to break out of Sona. The new question now is where is Sara? A question that won’t be answered for a few weeks. I say weeks because, let’s face it, spoilers will soon surface and provide the answer!
Kristin was able to get in contact with producer Matt Olmstead. The letter said that if Sara does return this means that Michael and she will finally be together.
Personally, I didn’t miss Sara that much last season so this news is not rocking my TV world. Actually, I’m not sure this is a good decision. Then again, Sara had a good fan following so her return may help the show ratings-wise.
The Best and Worst of 2007: Joel’s list
To call 2007 a stellar year of TV would be a mistake, because it was a very bleh year in many respects. Shows that had previously riveted us to our seats made missteps and mistakes. New shows were either mediocre or just unmemorable. A writers’ strike made people anxious and depressed all at once. And the aspects of the TV world that have generated low expectations continued on their merry lowbrow way (I mean, who expected Tila Tequila’s search for love to be anything but a skankfest)?
But in a year of abject mediocrity, some highlights and lowlights poked through. Like last year, I’m going to make up categories instead of doing traditional “Bests” and “Worsts.” It hurts my brain less…
GOODNESS
Best “I told you so!” show: 30 Rock. Like most people who saw last year’s pilot, I thought the show wasn’t all that good. But something about it made me continue to watch. Was it Alec Baldwin’s performance? Probably. But there was something else there, a quality that told me — and a few other patient folks — that if the show was allowed to hit its stride, it could be something special. Now that it’s being hailed as the show with the “most laughs per minute,” and winning awards left and right, I’m happy that I stuck with the show from the beginning. It’s one of the smartest shows on the air, cleverly making fun of everything from product placement to politically-correct network initiatives (I’d love to see David Schwimmer come back as Greenzo) to the war in Iraq. It’s one of the shows I’ll miss the most if the strike continues.
Best “You told me so!” show: Life. I really hated the pilot for this show. Damian Lewis’ sprung-from-prison detective Charlie Crews had too many quirks and tics, and the procedural plots were too standard-grade, to make me think the show could work in the long term. But after reading all the comments of praise that accompanied Rich’s reviews (along with my brother’s glowing reviews themselves), I decided to give the show another chance. And I’m glad I did; Crews’ tics have been toned down, and the mysteries — especially in the episode “Farthingale” — were twisty and interesting to watch. NBC picked it up for a full season; let’s hope that it comes back even if the writers don’t come back until next year.
Best finale that I could hope for, given the circumstances: Gilmore Girls. Amy Sherman-Palladino left the show after the sixth season and blew up the works on her way out. New show-runner David Rosenthal took almost two-thirds of the season cleaning up the mess, giving nothing of the old Gilmore for longtime fans to hold onto. But, the season finale — which was obviously written to double as a series finale, because the chances Lauren Graham and Alexis Bledel were coming back were slim at best — tied up loose ends and settled relationships well enough to satisfy even the most ardent fan. Did Luke and Lorelai get married? No. But there was enough of a “things are going to work out” vibe as the series concluded that it left me more satisfied than I could have imagined at the beginning of the season.
Best job of living up to expectations: Pushing Daisies. Unlike 2006’s most-anticipated shows — Studio 60, The Nine — PD followed up its spectacular pilot with episodes that deftly balanced the sweet and sticky (a duet of “Birdhouse In Your Soul,” anyone?) with the dark and twisted (bodies buried in snowmen, cheating spouses, dirty medical examiners). There were a few missteps, including the revelation at the end of the last pre-strike episode, but those offenses were minor. Let’s hope Bryan Fuller finally has a hit on his hands.
Best recovery from an awful season: Scrubs. Season six of the veteran comedy was awkward and — for the first fifteen or so episodes — not particularly funny. But, starting with the musical episode, Bill Lawrence and company ended on… well, I can’t call it a strong note, since they almost threw viewers back into a J.D. / Elliot coupling, but at least the episodes were entertaining. Season seven has started off well, mainly because the zaniness factor has been ratcheted back and we’re getting reacquainted with the characters again. Opinions on the season have been decidely mixed, but after last year’s stumbles, I welcome what Lawrence has done this year. Hopefully we’ll get a final episode.
Honorable mentions: Stephen Colbert’s entire year, but especially the “WristStrong” initiative; the improvement of the new correspondents on The Daily Show; The Simpsons Movie (it’s so strongly connected to TV, I decided to include it); The Office (mostly… see below); Scott Baio is 45… and Single (it’s the best of a bad cable reality bunch); It’s Always Sunny in Philadelphia (especially Charlie’s “Day Man / Night Man” songs); The Riches; Chuck; Reaper (though it fell off a lot after the pilot); the “Showdown” episode of How I Met Your Mother; Drew Carey’s transformation into a damn good game show host.
BADNESS
Best reason why half-hour shows are only a half-hour: The Office’s hour-long episodes. It just seemed like most of the episodes were half-hilarious, half-filler, didn’t it? And the structure seemed to be the same: first half was like a typically-funny Office episode, but in the second half, the writers run out of comedic gas and go for the broad and silly. The fun run, the kidnapping of the pizza delivery kid, Michael driving his car into a lake: all of those plotlines could have been sliced out without anyone missing them. I was very happy when the show went back to a half-hour; I wonder how those episodes will play out in syndication?
Best reason to agree with Dr. Perry Cox: Scrubs’ cantankerous doctor hates Hugh Jackman, and after watching Viva Laughlin, I can start to understand why. What a disaster: bad acting, bad characterizations, bad writing, and a musical gimmick (stars singing along with the soundtrack) that was awkward at best. In a season where networks didn’t pull the trigger as quickly as in the past due to the strike, Laughlin got canned after two episodes (aired over two days). That tells you how bad the rest of the episodes were going to be.
Best job of forcing people to get some sleep: The WGA and the AMPTP. The first casualties of the writers’ strike were the late-night shows, who had to immediately shut down. Without a steady diet of Stewart and Colbert, Letterman and Conan, Leno and Kimmel, etc., the pickings on TV were pretty slim. Seinfeld reruns? Two and a Half Men? Family Guy? Why bother when all of that is on DVD? Local news? Too much fluff and shocked weathermen. Even without writers, the recent return of the late-night slate is a welcome sight, even though I’m not sure what it’ll do to help or hurt the writers’ cause.
Best way to make the public hate a show before it ever airs: Play promos for it repeatedly during a sporting event. FOX has been a culprit in the past — who can forget Ron Silver bellowing “Her father is the district attorney!” all through the baseball playoffs a few years back? — but TBS’ constant promotion of Frank TV during this year’s Division Series and NLCS bordered on viewer abuse. Poor Frank Caliendo… I think those three promos of him doing his Al Pacino, George W. Bush, and John Madden impressions are what his vision of hell looks like. It sure wasn’t pleasant for the rest of us.
Best way to piss off loyal viewers: Kill off your main character, make her go through limbo and profess that it’s the most unique plot ever written, then bring her back to life without any residual damages. Hook up two characters that previously said that they never saw each other “that way.” Take your strongest and most likable character and spin her off into a show that makes her look like an indecisive wimp. All of that happened this year with Grey’s Anatomy and it’s spin-off, Private Practice. Shonda Rhimes was just too in love with her characters this year to realize she was going down a bunch of bad plot roads. From what I’ve heard, she’s fixed some of what she wrought in the 2006-07 season (Izzie and George are broken up, for instance), but I wouldn’t know, since I gave up on the show — one I watched since day one — last May.
Dishonorable mentions: ESPN’s continuing destruction of Monday Night Football; Big Shots; Cavemen’s original, racial-joke-laden pilot; the news channels’ blanket coverage of Anna Nicole Smith’s death; the entry of Sanjaya into my consciousness even though I don’t watch American Idol; Larry King asking Jerry Seinfeld if his series was cancelled; Seinfeld’s torturous Bee Movie promotion; Michelle Ryan’s wooden acting on Bionic Woman; Viva Laughlin (it was so bad I had to mention it again).