Sanaa Lathan Biography

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A graduate of the prestigious Yale School of Drama, and a wide-eyed luminous beauty with a knowing but infectious smile, actress Sanaa Lathan was poised to become a breakout star. Her career was well-paced, the performer choosing interesting and multifaceted ensemble roles that showcased her abilities before making her starring debut with the Sundance screened independent “Love and Basketball” (2000). Born into an entertainment family (her father is director Stan Lathan and her mother a professional dancer) she performed frequently in Off-Broadway and regional productions in addition to work in film and television. Pursuing a film acting career, Lathan headed to Los Angeles in 1996, and soon landed guest starring roles on TV series including ABC’s “Family Matters” and UPN’s “In the House” and “Moesha” (all 1997). That same year she co-starred as the young incarnation of Della Reese’s troubled elderly woman in the CBS TV-movie drama “Miracle in the Woods”. Lathan had a featured guest spot on ABC’s “NYPD Blue” in 1998 before scoring a regular role on an NBC show-within-a-show sitcom, playing Brianna, a booker for the a late-night news program “Lateline” (1998-1999; unaired episodes picked up by Showtime and broadcast 1999-2000). While her role was unfortunately underdeveloped, Lathan made the most of what lines she had, and emerged as an engaging presence.

In 1998, Lathan made her film debut with a role opposite Wesley Snipes and Stephen Dorff in the supernatural action film “Blade”. In 1999, she would gain recognition for her work in two African-American ensemble films, “The Wood” and “The Best Man”. In “The Wood”, Lathan played the grown up version of the protagonist’s teenage crush turned best friend. Her work in the film was memorable although it didn’t afford her much onscreen time. As Robin in “The Best Man”, she played the girlfriend of commitment-shy novelist Harper (Taye Diggs), a man bestowed with the title honor in a friend’s wedding. Lathan was subtle and insinuating in the role, creating a strong, well-rounded and entirely sympathetic character. That same year she appeared as Eddie Murphy’s love interest in the prison buddy comedy “Life”. Gina Prince-Bythewood’s “Love and Basketball” (2000), a time-spanning look at the growth of a romantic relationship and the development of a star athletes, paired Lathan with “The Wood” co-star Omar Epps, each playing talented basketball players who become childhood friends and come closer through their respective trials to make the big time, ultimately coming to question which of the two titular things is more important. “Love and Basketball” was a challenge for Lathan, who had no real life basketball experience. Tireless training helped her to get to a skill level that would facilitate filming, and the buzz surrounding this well-crafted breakout film propelled the beautiful and talented actress into the spotlight. Later that year, she reteamed with Prince-Bythewood, co-starring in the director’s adaptation of Terry McMillan’s “Disappearing Acts” (2000), an HBO original film.

In 2002, Lathan reunited with Taye Diggs and the director of “The Wood” (Rick Famuyiwa) to film “Brown Sugar”, a romantic comedy that also featured Mos Def. The actress then secured a high profile, breakthrough role opposite Denzell Washington in director Carl Franklin’s crime thriller “Out of Time” (2003), playing Washington’s high school sweetheart, with whom he becomes embroiled in an adulterous affair. Between film projects, Latham kept busy on the stage, starring opposite Billy Crudup in the New York Shakespeare Festival’s Central Park production of “Measure for Measure” in the summer of 2001; and in 2003, she starred opposite Sean Combs and Phyllicia Rashad in the Broadway production of “A Raisin in the Sun,” for which she received a Tony nomination for Best Performance by a Featured Actress in a Play. That triumph was immediately followed by a turn as the leader of an archeological expedition caught up in a war between extraterrestrial baddies in the fushion franchise “Alien Vs. Predator” (2004).

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Monica Bellucci Biography

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This regally beautiful stage-trained black performer has distinguished herself on stage, TV and film, often playing intelligent but long-suffering women who exhibit strength, patience and quiet elegance. Bassett has played opposite some of contemporary Hollywood’s most illustrious black leading men including Laurence Fishburne, Denzel Washington and Eddie Murphy. She has also worked with such notable black filmmakers as Ossie Davis, Spike Lee and John Singleton. Bassett, however, has not been confined to “black subjects” as she has also been featured prominently in diverse TV projects and in film collaborations with writer-directors John Sayles and Wes Craven.

Bassett learned her craft at the Yale School of Drama where she began a valuable association with the dean–celebrated stage director Lloyd Richards who directed Bassett on Broadway in two August Wilson plays: “Ma Rainey’s Black Bottom” (1985) and “Joe Turner’s Come and Gone” (1988).

Bassett’s screen career began in 1985 with a guest shot on the ABC detective drama “Spenser: For Hire” and a brief turn as a hooker on the CBS miniseries “Doubletake”. While the action thriller “F/X” (1986) marked her move into features, Bassett remained more regularly employed in TV during the late 1980s and early 90s with guest shots, brief stints as recurring characters and roles in high-profile TV-movies and miniseries. Some fans may remember her from the “Spencer” spin-off, “A Man Called Hawk” (ABC, 1989), as Avery Brooks’ “pseudo-cryptic clandestine girlfriend” (her phrase). Bassett registered more strongly as the wife of ill-fated astronaut Ronald McNair in the 1990 ABC Theater presentation “Challenger”. She won raves for her portrayal of Katherine Jackson, Michael’s mom, in the miniseries “The Jacksons: An American Dream” (ABC, 1992).

Bassett first gained notice in features as the estranged, ambitious wife of Laurence Fishburne in John Singleton’s “Boyz in the Hood” (1991). Her impressive resume grew to include playing the “do-gooder” wife of politician Joe Morton in John Sayles’ “City of Hope” (1991) and an outstanding portrayal of Betty Shabazz, the quietly strong wife of activist and preacher Malcolm X in Spike Lee’s epic biopic “Malcolm X” (1992). A lean and pumped up Bassett earned raves, celebrity and a Best Actress Oscar nod in her debut as a feature lead in “What’s Love Got To Do With It” (1993). Her riveting and thoroughly convincing portrayal of three decades in the life of pop icon Tina Turner transformed her career.

After a hiatus, Bassett returned to the screen with leads in three highly publicized 1995 Hollywood releases: the millennial sci-fi actioner “Strange Days”; the Eddie Murphy horror comedy vehicle “Vampire in Brooklyn”; and the adaptation of Terry McMillan’s best-selling novel “Waiting to Exhale”. Whereas the first two films built upon her image as a strong black woman by giving her firearms and fangs, the latter paired her with recording superstar Whitney Houston in a character-driven comedy-drama that proved a box-office success. Bassett undertook another McMillan heroine playing a fortyish divorcee who embarks on a relationship with a much younger man in “How Stella Got Her Groove Back” (1998). In 2002, Bassett was cast as Rosa Parks in the CBS biopic “The Rosa Parks Story”. For her portrayal of the civil rights icon, Bassett received an Emmy nomination.

Bassett turned in a finely etched performance as a Florida-born woman return to confront her tangled past in writer-director John Sayles’ pleasing “Sunshine State” (2002). After appearing as herself on a 2003 episode of the Fox sitcom “The Bernie Mac Show” she teamed with the series’ titular star for the baseball comedy “Mr. 3000″ (2004).

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Angela Basset Biography

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This regally beautiful stage-trained black performer has distinguished herself on stage, TV and film, often playing intelligent but long-suffering women who exhibit strength, patience and quiet elegance. Bassett has played opposite some of contemporary Hollywood’s most illustrious black leading men including Laurence Fishburne, Denzel Washington and Eddie Murphy. She has also worked with such notable black filmmakers as Ossie Davis, Spike Lee and John Singleton. Bassett, however, has not been confined to “black subjects” as she has also been featured prominently in diverse TV projects and in film collaborations with writer-directors John Sayles and Wes Craven.

Bassett learned her craft at the Yale School of Drama where she began a valuable association with the dean–celebrated stage director Lloyd Richards who directed Bassett on Broadway in two August Wilson plays: “Ma Rainey’s Black Bottom” (1985) and “Joe Turner’s Come and Gone” (1988).

Bassett’s screen career began in 1985 with a guest shot on the ABC detective drama “Spenser: For Hire” and a brief turn as a hooker on the CBS miniseries “Doubletake”. While the action thriller “F/X” (1986) marked her move into features, Bassett remained more regularly employed in TV during the late 1980s and early 90s with guest shots, brief stints as recurring characters and roles in high-profile TV-movies and miniseries. Some fans may remember her from the “Spencer” spin-off, “A Man Called Hawk” (ABC, 1989), as Avery Brooks’ “pseudo-cryptic clandestine girlfriend” (her phrase). Bassett registered more strongly as the wife of ill-fated astronaut Ronald McNair in the 1990 ABC Theater presentation “Challenger”. She won raves for her portrayal of Katherine Jackson, Michael’s mom, in the miniseries “The Jacksons: An American Dream” (ABC, 1992).

Bassett first gained notice in features as the estranged, ambitious wife of Laurence Fishburne in John Singleton’s “Boyz in the Hood” (1991). Her impressive resume grew to include playing the “do-gooder” wife of politician Joe Morton in John Sayles’ “City of Hope” (1991) and an outstanding portrayal of Betty Shabazz, the quietly strong wife of activist and preacher Malcolm X in Spike Lee’s epic biopic “Malcolm X” (1992). A lean and pumped up Bassett earned raves, celebrity and a Best Actress Oscar nod in her debut as a feature lead in “What’s Love Got To Do With It” (1993). Her riveting and thoroughly convincing portrayal of three decades in the life of pop icon Tina Turner transformed her career.

After a hiatus, Bassett returned to the screen with leads in three highly publicized 1995 Hollywood releases: the millennial sci-fi actioner “Strange Days”; the Eddie Murphy horror comedy vehicle “Vampire in Brooklyn”; and the adaptation of Terry McMillan’s best-selling novel “Waiting to Exhale”. Whereas the first two films built upon her image as a strong black woman by giving her firearms and fangs, the latter paired her with recording superstar Whitney Houston in a character-driven comedy-drama that proved a box-office success. Bassett undertook another McMillan heroine playing a fortyish divorcee who embarks on a relationship with a much younger man in “How Stella Got Her Groove Back” (1998). In 2002, Bassett was cast as Rosa Parks in the CBS biopic “The Rosa Parks Story”. For her portrayal of the civil rights icon, Bassett received an Emmy nomination.

Bassett turned in a finely etched performance as a Florida-born woman return to confront her tangled past in writer-director John Sayles’ pleasing “Sunshine State” (2002). After appearing as herself on a 2003 episode of the Fox sitcom “The Bernie Mac Show” she teamed with the series’ titular star for the baseball comedy “Mr. 3000″ (2004).

Family
Significant Others
Education
Milestones